Controversial Songs, Live Shows and Music Heroes with Chasing Abbey #116 — Hold My Drink

[00:00–00:04] Hold my drink with Charlene and Ellie. I go light original
[00:16–00:18] Wonder if I'll be Justin Bieber, didn't I?
[00:18–00:20] Yeah, he's your Justin Bieber, yeah
[00:21–00:23] Wow
[00:30–00:32] We actually got no here
[00:32–00:35] And then it was
[00:35–00:38] Learned to dance that one one is hearty second clip
[00:39–00:43] Welcome to how much drink with Charlene and Ellie our podcasts is with group traps between your best friends
[00:43–00:47] The girls brush them on a light out where you spill all the gossip on related to lemmas and life
[00:48–00:51] If you're a return listener welcome back and if you're a new listener
[00:51–00:53] Welcome how are you?
[00:53–00:58] Is out for you every Wednesday? We also bones have cells every one day so you can listen to more of us now on the go load up
[00:58–01:00] Or wherever you got your podcasts
[01:00–01:06] This week we are joined by Chase and Abby. They chat first down music together when they're in school and playing in pubs
[01:06–01:09] Playing solar venues around Ireland and supporting international superstars
[01:10–01:12] They tell us the story behind two of their most recent hits
[01:12–01:20] Oh my Johnny and Lanagan's ball plus the reveal whether or not they are single or taken and how they maintain relationships while touring
[01:20–01:22] Enjoy guys. Enjoy
[01:22–01:27] The week between Christmas and New Year's is a blur. It's a blur. It's great. Correct them
[01:27–01:29] I don't remember what we do last year
[01:29–01:34] Drink and drink and drink and drink and drink. I don't like where does he even say to me? I never really do
[01:34–01:38] I don't eat there when I was younger I used to like I used to be dying for seasons
[01:38–01:41] Yeah, I know smile eyeballs never couldn't think about more for me in the middle of my club
[01:42–01:44] I wouldn't mind going out somewhere but not town
[01:46–01:49] I got that pull versus yeah yeah yeah like not but not town
[01:50–01:52] Getting a taxi from down these days
[01:53–01:55] I think it's too bad
[01:55–01:57] I like just yeah don't remember me
[01:58–02:00] After the
[02:01–02:03] We had to get an Uber I never used Uber
[02:03–02:05] Did we get Uber? Yeah it was Uber
[02:05–02:08] You got it actually me did you get it? I need to pay it to give you money
[02:08–02:10] We can't buy him this personally, I don't know why
[02:10–02:13] Oh it was because I didn't want to be in the taxi on my own
[02:13–02:16] Oh yeah yeah yeah yeah yeah how much was it at bomb? I don't know
[02:17–02:19] She needs to check it because that was bomb
[02:20–02:22] Oh my god you were very funny you want to tell me about your mom and dad's
[02:22–02:24] I don't remember the house house
[02:24–02:30] You were a mumbling and you were like I mean me and Aiden had your phone and we were setting alarms on your phone
[02:30–02:33] I was like she's having a wake up in like two hours and I didn't like two hours and I missed
[02:33–02:38] I mean like I just I need to go to my mom and dad's house for watch her and you're like
[02:38–02:42] Do you know what though? The reason I had that my hand was I actually did want to do like
[02:42–02:45] I did want that like what you were thinking of though in that moment
[02:45–02:48] But I thought that one is so really run oh yeah yeah
[02:48–02:52] It's not I didn't make like I need my ear most I was like you can buy them when you're over there you can be grand
[02:52–02:55] So my plan was to go home to your mom's house
[02:55–02:57] Get that ear most then go home
[02:57–03:00] That was the whole evening so we were that evening I like talked about
[03:00–03:03] We were halfway to Luke and at that stage I was like don't think that's good
[03:03–03:04] I don't I don't have a policy to that
[03:04–03:05] I always pause it
[03:05–03:07] No you're just like a fancy type
[03:07–03:08] One of my friends used to live
[03:10–03:15] Like a where like a completely opposite direction from what's in Jude always get taxis on her own
[03:16–03:19] And I remember one night we were leaving and I was in the taxi under girls because she lived near me
[03:20–03:22] I'm one of our other friends was in a separate taxi
[03:22–03:25] I think did we try by her and she was asleep in the back of it
[03:25–03:27] And we were just looking at her like help
[03:27–03:31] She did it relentlessly like a soon she did it every taxi
[03:31–03:34] Yeah but what is is it is it the dreams that makes you sleep
[03:34–03:35] Yeah I don't know how to
[03:35–03:39] I just go I don't really know it's bad like but I can't help it
[03:41–03:42] I get worried
[03:42–03:48] And I also then when I got to my apartment I was at the wrong building and God only knows how long I was there for it felt like I was there for intern
[03:48–03:49] Were you pressing buttons?
[03:49–03:50] No no
[03:50–03:50] Yeah I was
[03:50–03:52] Were you ringing someone's house then?
[03:52–03:55] No I wasn't ringing houses I was ringing my own house
[03:56–03:57] But in a different building so it wasn't your house
[03:57–03:58] Ah
[04:00–04:01] Oh it is
[04:01–04:02] He's in
[04:03–04:05] Oh my yeah I have a vision of me
[04:05–04:06] I was thinking that's good
[04:06–04:09] I wasn't even that drunk like I feel like and then I was in the air
[04:09–04:13] Yeah it was the air I think because we were inside for a lot
[04:13–04:15] Think of like we were inside for a lot of the night
[04:16–04:17] And it was only one here
[04:18–04:20] It was carnage
[04:20–04:21] Got in any rockets as well
[04:21–04:22] We were in the lift
[04:22–04:22] Oh good boy
[04:22–04:23] That's not the last time
[04:23–04:24] I didn't even know it was a lift in Turtian
[04:24–04:26] Oh no he's saying that
[04:26–04:26] Yeah
[04:26–04:26] Trevor
[04:26–04:27] Do you remember anything that lifts?
[04:27–04:28] I do
[04:29–04:30] I remember much to 37
[04:30–04:31] We weren't there for long at all
[04:31–04:32] No we were there
[04:32–04:33] I felt like we were there for two seconds
[04:33–04:34] Yeah we were basically
[04:34–04:34] And then
[04:35–04:36] We went
[04:36–04:37] Yeah I went home
[04:38–04:38] Didn't couldn't get in
[04:38–04:39] I was just so trying to find the fire
[04:39–04:40] Trying to find the fire
[04:40–04:40] Trying to find the fire
[04:40–04:41] It was the wrong apartment block
[04:41–04:42] So I was like right
[04:42–04:43] I go in via the car park
[04:43–04:44] And then I start walking
[04:44–04:45] I was like
[04:45–04:46] Oh there's a truck
[04:46–04:47] What I just have here
[04:47–04:48] That's my first time being drunk
[04:48–04:49] Going back
[04:49–04:50] Going home
[04:50–04:51] Yeah
[04:51–04:51] Well
[04:51–04:52] Was it fun
[04:52–04:53] Did you slept in that little cloud?
[04:53–04:53] Wasn't you
[04:53–04:54] Oh I woke up
[04:54–04:55] Lying on the bed
[04:55–04:57] Furco on
[04:57–04:57] Boots salon
[04:57–04:58] Bo boots
[04:58–05:00] And my outfit
[05:00–05:01] And found everything
[05:01–05:01] Found it
[05:01–05:02] Didn't know what time it was
[05:02–05:03] I woke up in my hair
[05:03–05:05] I could hear my hair beating from my ears
[05:05–05:06] I hate that bit
[05:06–05:06] It was like
[05:06–05:07] I actually hate the bit
[05:07–05:08] I was like
[05:08–05:09] Alexa
[05:09–05:09] What time is it?
[05:09–05:10] It was like
[05:10–05:11] It is half
[05:11–05:12] Or 930
[05:12–05:14] And your flight was at 9
[05:14–05:15] My flight was at 9
[05:15–05:16] You had an impact right
[05:16–05:16] At that stage
[05:16–05:17] No
[05:17–05:18] So you just
[05:18–05:19] Bokin over like
[05:19–05:19] Yeah
[05:19–05:20] Cos we don't want to talk about
[05:20–05:21] Tell me what you got to
[05:21–05:22] Oh I can
[05:22–05:23] And please
[05:23–05:23] It's like
[05:23–05:23] Obsessive
[05:23–05:24] Come on
[05:24–05:24] Tell me
[05:24–05:25] Obsessive
[05:25–05:26] I need to know
[05:26–05:26] For your own in the future
[05:26–05:27] Fuck off
[05:27–05:28] Glow the bike
[05:30–05:30] Sick
[05:30–05:31] And then I forgot to check in
[05:31–05:33] Because in the wood all the madness
[05:33–05:33] I forgot
[05:33–05:34] So I had to check
[05:34–05:34] To check in for my flight
[05:34–05:36] You and I were forced to iron for
[05:36–05:38] 150 euro at the airport
[05:38–05:40] But then I asked for the wheelchair
[05:40–05:41] Because I caught
[05:41–05:42] I was in Bokin pre-book
[05:42–05:43] And they gave me
[05:43–05:45] I love the airport wheelchair staff
[05:45–05:46] They love the airport
[05:46–05:46] They learn to actually
[05:46–05:48] The nice people in the whole world
[05:48–05:49] I've dealt with them a few times
[05:49–05:49] They're like
[05:49–05:50] Able valve
[05:50–05:51] People in customer service
[05:51–05:51] I'm like
[05:51–05:52] They're the nicest people
[05:52–05:53] They're just really trying
[05:53–05:53] And like
[05:53–05:54] Yeah
[05:54–05:55] And then the way how
[05:55–05:56] So I got it over and I've got
[05:56–06:00] And I've got to make a hair
[06:00–06:00] Yeah
[06:00–06:01] I'm for myself
[06:01–06:02] But every time I get the wheelchair
[06:02–06:04] I meet like other people in the wheelchairs
[06:04–06:04] And like
[06:04–06:05] To a zoo
[06:05–06:06] Or like
[06:06–06:07] Some elderly people
[06:07–06:08] And we always get channels
[06:08–06:08] So nice
[06:08–06:09] Oh my hair
[06:09–06:10] And that was when I got stuck in the lift
[06:10–06:11] With the two older
[06:11–06:11] elderly people
[06:11–06:13] Oh and he was pressing the button with me
[06:13–06:14] Yeah and they didn't even care
[06:14–06:15] No
[06:15–06:15] I was like
[06:15–06:16] Ah!
[06:16–06:17] And they were just like
[06:17–06:17] So they're like that
[06:17–06:18] So I
[06:18–06:19] But then
[06:19–06:19] The way back
[06:19–06:20] Then I got the wheelchair again
[06:20–06:21] But I really wanted to go
[06:21–06:22] And I was like
[06:22–06:23] Do you want to stop and go
[06:23–06:25] And I brought me to know and do
[06:25–06:26] And then we walked out
[06:26–06:26] And I was like
[06:26–06:27] Oh it's the wrong sound
[06:27–06:28] Which I'd go all the way back
[06:28–06:29] It was like
[06:29–06:30] Avocado
[06:30–06:31] And that was
[06:31–06:32] That's when I walked to Chihuahua
[06:32–06:33] And I was like
[06:33–06:33] Yeah
[06:34–06:35] No I wanted the
[06:35–06:35] Chihuahua
[06:35–06:36] Chihuahua spicy
[06:36–06:37] But it gave me Chihuahua avocado
[06:37–06:38] But it didn't want that
[06:38–06:38] No
[06:38–06:39] Oh yeah
[06:39–06:40] What was I like
[06:40–06:41] And then
[06:41–06:42] To begin with
[06:43–06:45] The airport walk is long though
[06:45–06:46] I'm glad that I got the wheelchair
[06:46–06:47] It's longer and longer
[06:47–06:48] It's the one in stand said
[06:48–06:49] I would have been
[06:49–06:50] On the ground
[06:50–06:50] It was like
[06:50–06:51] Yeah
[06:51–06:53] It was so long
[06:53–06:55] That tunnel in Dublin, Lairford
[06:55–06:55] Christ
[06:55–06:56] Oh
[06:56–06:56] I never ends
[06:56–06:58] It just keeps going
[06:58–06:58] When does it end?
[06:58–06:59] No
[06:59–07:00] I need to actually walk with life
[07:00–07:02] Like to go back without my nose
[07:02–07:03] Ah I should have been in books of light
[07:03–07:03] I'm gonna know
[07:03–07:04] Are you mad?
[07:04–07:05] A book
[07:06–07:07] Flies
[07:07–07:08] If I answer it down
[07:08–07:09] May as well, nothing exists
[07:10–07:11] But yeah
[07:11–07:12] Word week
[07:13–07:14] Yeah, between Christmas and New Year's Eve
[07:14–07:15] I love it though
[07:15–07:17] I feel like it's the only time here
[07:17–07:19] Or the only time in our lives
[07:19–07:21] As human beings
[07:22–07:22] Everything stops
[07:22–07:23] No one gives a foot
[07:23–07:24] Yeah, beside COVID
[07:24–07:25] Yeah
[07:25–07:27] No one gives a sh** what day it is
[07:27–07:28] Yeah true
[07:28–07:29] It could be any day of the week
[07:29–07:30] And you can have
[07:30–07:31] Everyone for breakfast
[07:31–07:32] It's just the last thing ever
[07:32–07:34] And you check that sh** out
[07:34–07:34] Where you go back actually
[07:34–07:35] Oh yeah one
[07:35–07:36] Yeah yeah
[07:36–07:37] I'm gonna make it to you why
[07:37–07:38] No, cap yours
[07:38–07:39] I got loud stuff in little time
[07:39–07:40] Or atleadle sorry
[07:40–07:41] I said
[07:41–07:41] I'm sorry
[07:41–07:43] Thanks for everyone who
[07:43–07:44] Suggested a sh** out your board
[07:44–07:45] Except for people so many makers
[07:45–07:46] Is that it?
[07:46–07:47] Yeah, I said
[07:47–07:48] That's not happening
[07:49–07:49] I loved it
[07:49–07:50] I
[07:50–07:51] Because I watch my TikTok all the time
[07:51–07:53] But my life's gonna be staggly
[07:53–07:54] I just want to eat that all the time
[07:54–07:56] You don't have to do the slamming roses
[07:56–07:56] You've seen them
[07:56–07:57] I need to learn
[07:57–07:58] On the cup
[07:59–07:59] Ah
[07:59–08:00] Yeah
[08:00–08:01] So you just layer them all around
[08:01–08:02] Like the rim of like wine glass
[08:02–08:04] Or the rim of a cup
[08:04–08:05] And then when you turn upside down and say
[08:05–08:05] The rose
[08:06–08:07] I like I don't know
[08:07–08:08] I've made twists and turns
[08:08–08:10] So I don't know like why I have to prepare
[08:10–08:11] And all
[08:11–08:13] Now have you made something
[08:13–08:13] This big before
[08:13–08:14] No
[08:14–08:15] Do you have any help
[08:15–08:16] It's the end we have
[08:16–08:17] Yeah
[08:17–08:18] The thing that I don't understand
[08:18–08:19] About cooking and why I don't do
[08:19–08:20] A lot of it is time
[08:20–08:21] I'm an I know
[08:21–08:23] Haven't a notion
[08:23–08:24] I know the turkey was like longest
[08:24–08:25] I think it's just some
[08:25–08:26] Mothers are born
[08:26–08:28] Mothers are born
[08:28–08:30] Mothers like it just happens
[08:30–08:31] My arms are that good over cooking
[08:31–08:32] Ishna
[08:32–08:33] Love you but you're not
[08:33–08:34] Love you
[08:34–08:36] My mouth is now exactly when to put
[08:36–08:38] Actually yeah, now my arms
[08:38–08:39] It's put on compared to
[08:39–08:39] Yeah it's good at that
[08:39–08:40] It's actually
[08:40–08:41] I wouldn't have an ocean
[08:41–08:41] Yeah
[08:41–08:43] I wouldn't have a clue
[08:43–08:45] I need a cooking lessons
[08:45–08:46] Thanos I was a king
[08:46–08:47] He's got onto that and on
[08:47–08:48] To get your clean
[08:48–08:49] I was like sure so
[08:49–08:49] Sure so
[08:49–08:50] I know you
[08:50–08:51] Yeah you did
[08:51–08:52] Yeah
[08:52–08:53] It's 21st century
[08:53–08:54] Yeah I tell him to do
[08:54–08:55] No
[08:55–08:56] I just don't think I'm good at stuff like that
[08:56–08:58] At 2024
[08:58–08:59] I'm making it my mission
[08:59–09:00] That I'm gonna
[09:00–09:01] 是不是
[09:00–09:01] Do more cooking.
[09:01–09:02] Yeah.
[09:02–09:03] I really, really need to learn.
[09:03–09:04] Yeah.
[09:04–09:06] If I'm buying my health next year, which I've said in the podcast for the last two years,
[09:06–09:09] I really need to learn how to cook.
[09:09–09:10] Yeah.
[09:10–09:11] I could do small things.
[09:11–09:13] Do you know what actually, do you know what I mean?
[09:13–09:14] Do you know what I mean?
[09:14–09:16] Uh, Christmas, chilly beef.
[09:16–09:17] Maybe it was fresh.
[09:17–09:21] That's not weird because all the, all the, all the, all the, oh, I swear, all the ingest
[09:21–09:24] in three weeks and, or three weekends and they, we're talking about that smell.
[09:24–09:25] I never heard of Christmas beef.
[09:25–09:26] Oh my gosh.
[09:26–09:27] And they made it so pretty.
[09:27–09:28] How do you make a Christmas beef?
[09:28–09:29] I've buttered it in all myself.
[09:29–09:30] Oh, yeah.
[09:30–09:31] I can't imagine butter beef.
[09:31–09:32] She never had it, is it?
[09:32–09:33] Is it soft?
[09:33–09:36] Well, no, I don't think I cooked it long enough.
[09:36–09:38] So it wasn't really like crispy, crispy.
[09:38–09:39] Yeah.
[09:39–09:40] It was more kind of like, like a wet butter.
[09:40–09:41] That turns really nice.
[09:41–09:42] It was lovely though.
[09:42–09:43] Yeah.
[09:43–09:44] I was like, see, you can cook like.
[09:44–09:45] I think that would take a lot of time.
[09:45–09:46] I'll take a break.
[09:46–09:47] I just found it out.
[09:47–09:48] Take a look.
[09:48–09:49] I can, but I can go back to the talk too.
[09:49–09:50] Like it's just, if I was making my own recipe, I'd be like, what?
[09:50–09:51] Wait, wait, wait.
[09:51–09:52] I'm going to do a quick review.
[09:52–09:53] I'm going to do a quick review.
[09:53–09:54] I'm going to do a quick review.
[09:54–09:55] I can go back to the talk too.
[09:55–09:58] Like it's just, if I was making my own recipe, I'd be like, what?
[09:58–09:59] Where'd we start?
[09:59–10:00] Yeah.
[10:00–10:02] But could you keep doing TikTok recipes, then you'll have a whole...
[10:02–10:04] I could make a fairy cake on my own.
[10:04–10:05] Could you?
[10:05–10:06] I couldn't.
[10:06–10:07] Yeah.
[10:07–10:08] We know recipe yet.
[10:08–10:09] Easy.
[10:09–10:12] I think my mom, born and bred us on them, could make pancakes myself.
[10:12–10:13] Butter.
[10:13–10:15] I'd have to look real.
[10:15–10:16] I know I'm all that.
[10:16–10:19] To know who I want to make me dinner.
[10:20–10:21] Cakey-fits.
[10:21–10:24] She whips up fucking 10 cars mail in 20 minutes.
[10:24–10:25] It looks like...
[10:25–10:27] That girl Shannon on TikTok.
[10:27–10:29] Oh, I lit you a look at every day.
[10:29–10:31] I was like, I would pay good to see her say so much.
[10:31–10:32] Did you see her cuddle?
[10:32–10:34] And I've never even had cuddle in my life.
[10:34–10:36] Is that why you said it looked so much like nine?
[10:36–10:37] My mouth is literally watering.
[10:37–10:38] She made cuddle the other day.
[10:38–10:40] Like an Irish cuddle.
[10:40–10:42] And I've never had it because my mom's not from Dublin.
[10:42–10:44] My mom and dad are from Dublin, so we don't have it.
[10:44–10:46] And I said, I've screaming as my mom was like, ma'am, will you try
[10:46–10:47] and make cuddle with me?
[10:47–10:49] I don't know if I'd like it to top of a boil sausage.
[10:49–10:50] Yes, yes.
[10:50–10:52] This just looked like a hearty bowl of goodness.
[10:52–10:54] As she makes lamb all the time.
[10:54–10:56] And like the lamb, like the balls off the bottom.
[10:56–10:57] I don't like lamb, but I love lamb.
[10:57–10:58] Nice.
[10:58–10:59] Her steak so much.
[10:59–11:00] Everything she makes.
[11:00–11:02] And everything just for the boring.
[11:02–11:03] Oh.
[11:03–11:04] And Arama.
[11:04–11:07] I want to go to her house and just feed me food.
[11:07–11:08] Feed me food and make like a...
[11:08–11:10] I would buy her a recipe book.
[11:10–11:12] She gets out comments like that.
[11:12–11:13] Yeah, she should bring out a cookbook.
[11:13–11:14] She might want it.
[11:14–11:17] Because I'd say, because a lot of what she said before, like a lot of what was I-
[11:17–11:19] I was like, yeah, it's all I-bar.
[11:19–11:22] It comes from her, her nanny used to teach her how to cook and like...
[11:22–11:23] Yeah.
[11:23–11:24] She'd I-bar a lot of what?
[11:24–11:25] I don't know.
[11:25–11:26] I know.
[11:26–11:28] I can I-bar spice and like that's what it is.
[11:28–11:29] I would not be cute.
[11:29–11:30] Tastelessly.
[11:30–11:31] Would you?
[11:31–11:32] Well, I just put a bit of it.
[11:32–11:33] How much I think I want.
[11:33–11:34] And then decide.
[11:34–11:35] Yeah, yeah.
[11:35–11:36] Taste it.
[11:36–11:37] Yeah.
[11:37–11:40] Wait, I told, did I say about collecting the food from...
[11:40–11:42] For the Christmas dinner?
[11:42–11:43] No.
[11:43–11:44] I was reading it.
[11:44–11:45] It's for my dad.
[11:45–11:46] We ordered the Christmas dinner this year.
[11:46–11:47] Oh, yeah, you were saying?
[11:47–11:48] Never done that before.
[11:48–11:49] Like, order it in a zin.
[11:49–11:50] Like, I still have to- yeah.
[11:50–11:51] I still have to cook it.
[11:51–11:54] Yeah, that's what came fully cooked in the bread.
[11:54–11:55] Oh, that would be terrible.
[11:55–11:56] Yeah, I do.
[11:56–11:58] One of the girls in Gantanamax, she was saying that she does that.
[11:58–11:59] Her nanny does that.
[11:59–12:00] You can do it in the world.
[12:00–12:01] Yeah, five hundred or so.
[12:01–12:02] Five hundred or so, I think.
[12:02–12:03] And it comes.
[12:03–12:04] Five hundred.
[12:04–12:05] Yeah.
[12:05–12:06] Well, I think I-
[12:06–12:07] I think I was saying-
[12:07–12:08] Yeah, she's a big family.
[12:08–12:09] Okay, very.
[12:09–12:15] I think it's a day before, and it's like 90% cooked, and then on the day you just have to like,
[12:15–12:16] heat it kind of thing.
[12:16–12:19] Or it's like, you see chicken nuggets in a bag or a bag of gouges, aren't there?
[12:19–12:20] Yeah.
[12:20–12:21] Very cooked.
[12:21–12:22] Like, you just heat them up.
[12:22–12:23] They're not raw.
[12:23–12:24] Not true.
[12:24–12:25] Yeah.
[12:25–12:26] So I think it's kind of like that.
[12:26–12:28] So we did that this year, and I got the- my dad only said to me today.
[12:28–12:30] He's like, what is- we actually ordered?
[12:30–12:32] Because I was off a way, and I don't know what it was.
[12:32–12:34] He's like, what did we actually order?
[12:34–12:37] Going there to your email and looking up my ex-message and see which orders.
[12:37–12:38] Okay, so I was reading out.
[12:38–12:39] Sure, lame.
[12:39–12:40] Do you want to hear what I ordered?
[12:40–12:41] Just get those.
[12:41–12:43] Would you like to hear this?
[12:43–12:44] No, I'm sorry.
[12:44–12:45] Wait, no, wait.
[12:45–12:48] Okay, bear in mind, there is four of us.
[12:48–12:51] There's four of us this year.
[12:51–12:53] Do you want to hear what I ordered?
[12:53–12:54] Yeah.
[12:54–13:01] I ordered Irish seltry aged beef rib that serves six people.
[13:01–13:06] I ordered an old-come-soft turkey breast joint that serves eight to ten people.
[13:07–13:08] This four of us.
[13:08–13:13] So collection British outdoor poor- I don't know what they are, they serve- I think they're
[13:13–13:14] pig's and blankets.
[13:14–13:15] Okay.
[13:15–13:17] Four cheese, cauliflower, rotten.
[13:17–13:19] That serves- I don't like that.
[13:19–13:21] Six people, I don't like that either.
[13:21–13:22] This is the great part.
[13:22–13:27] Then I ordered a Christmas caramel cake that serves twelve people.
[13:27–13:32] That was twenty to two euro, and then last but not least I ordered some posh lobster
[13:32–13:33] and prawn cocktail starters.
[13:33–13:34] They serve more.
[13:34–13:35] They're very nice.
[13:35–13:36] And what have you been to?
[13:36–13:37] Is it a whole turkey or a crown?
[13:37–13:38] No, I don't know.
[13:38–13:40] No, it's just a turkey breast joint.
[13:40–13:41] Oh yeah, they're not big.
[13:41–13:42] What did you get?
[13:42–13:43] I got a crown.
[13:43–13:44] Yeah.
[13:44–13:45] It's a crown just like the breast.
[13:45–13:48] It's like the middle part on that, all the young with the legs are doing this.
[13:48–13:49] I like the legs, my legs.
[13:49–13:50] Yeah, I don't really.
[13:50–13:51] It's just skin.
[13:51–13:53] I don't like turkeys, not my favourite, really.
[13:53–13:54] I love the ham.
[13:54–13:55] I love turkey.
[13:55–13:56] I love the ham.
[13:56–13:57] I love the ham.
[13:57–13:58] I love my man bought a small one.
[13:58–13:59] She's going to make a small one.
[13:59–14:00] Yeah, yeah.
[14:00–14:01] Mmm.
[14:01–14:02] Salty, good ham.
[14:02–14:03] Yeah.
[14:03–14:06] I like turkey, but I prefer the ham.
[14:06–14:07] That's why I look forward to it.
[14:07–14:08] How was your week?
[14:08–14:12] You had your Christmas night out with the girls?
[14:12–14:13] Oh, I did.
[14:13–14:14] Greycrack.
[14:14–14:19] It's first time six of us were together drinking in years.
[14:19–14:21] Three of the girls are mothers now.
[14:21–14:23] One of them actually has two kids.
[14:23–14:24] Oh yeah.
[14:24–14:26] So it's been a very, very long time.
[14:26–14:28] You got everyone's name real?
[14:28–14:32] Yeah, so you went out like a pack of absolute golf shorts all wearing the same jumper first.
[14:32–14:34] But it was you got, yeah.
[14:34–14:35] Yeah, yeah, yeah.
[14:35–14:38] But it was just the best crack ever.
[14:38–14:41] Like we were all together the next day and we were all saying like,
[14:41–14:43] like none of us had to fear.
[14:43–14:44] Like none of us.
[14:44–14:46] It was just real funny night, nice night.
[14:46–14:47] Yeah, yeah.
[14:47–14:50] But we were all sending videos and we were like, Jesus Christ if anyone said,
[14:50–14:53] what people did obviously is what they thought, they never get ill.
[14:53–14:54] God loved them.
[14:54–14:55] One night for 10 years.
[14:55–14:56] Yeah.
[14:56–14:58] It was just a second first night out.
[14:58–15:00] Like we were like children.
[15:00–15:02] And on what it was, but it was so much fun.
[15:02–15:03] Oh, yeah.
[15:03–15:04] It was great.
[15:04–15:05] It was great.
[15:05–15:06] You were in London then.
[15:06–15:07] Yeah.
[15:07–15:11] We were in London with Jats and then Ali and then Wichana was a lovey-kane.
[15:11–15:13] That was your Christmas night Wichana was a crush.
[15:13–15:14] That was our Christmas night.
[15:14–15:16] We don't, so we don't last year, we have to went to London and then this year.
[15:16–15:17] So we're gonna like get yearly time.
[15:17–15:18] Yeah.
[15:18–15:20] And one day we can bring our little kids.
[15:20–15:21] Oh my god.
[15:21–15:23] It's like a mental there, like so busy.
[15:23–15:27] I saw a lot of the takes actually in like the cues to share a hectic mental.
[15:27–15:29] Like I was trying to get down on the big road.
[15:29–15:30] I was like, what are we gonna do?
[15:30–15:31] No.
[15:31–15:32] I got one of the world's most.
[15:32–15:33] Wait, what happened when we were there last year?
[15:33–15:34] No, why didn't we got any rides?
[15:34–15:35] I don't know.
[15:35–15:36] I just think the bear tattoo.
[15:36–15:37] I just got the piss latter.
[15:37–15:38] Is here another one.
[15:38–15:39] I just want to be there last year.
[15:39–15:40] It was my piss and snow as well.
[15:40–15:41] I don't know if it's here last year.
[15:41–15:43] And I was slipping inside and I was just soo...
[15:43–15:45] It was actually warm this year.
[15:45–15:46] No, it was there.
[15:46–15:49] Someone actually was like 13 degrees and you were in air and I was like, come on.
[15:49–15:50] It was still cold.
[15:50–15:51] Yeah, it got away.
[15:51–15:52] I need my ears before.
[15:52–15:53] Mother's into them.
[15:53–15:54] But no, it was nice.
[15:54–15:55] Really nice.
[15:55–15:56] I was so excited.
[15:59–16:00] Where's Martha?
[16:00–16:01] Where's Martha?
[16:01–16:02] I'm next to her.
[16:02–16:03] No, yeah, after Christmas.
[16:03–16:04] Between Christmas and 29.
[16:04–16:05] Oh yeah, okay.
[16:05–16:06] So when is the episode?
[16:06–16:07] This is the 20th day, by the way.
[16:07–16:08] By the time this comes out, we'll be using 27th.
[16:08–16:09] People are like, why is she crying?
[16:09–16:10] Yeah, two days.
[16:10–16:13] Well, I just think the top of the evening for Christmas, that is why I'm self.
[16:13–16:14] It's not worth a full-ball friend.
[16:14–16:15] It's going to underhouses.
[16:15–16:16] Yeah.
[16:16–16:17] You make them dinner and you got them present.
[16:17–16:18] I will then.
[16:18–16:19] I think about it.
[16:19–16:20] It's one day.
[16:20–16:21] Yeah.
[16:21–16:22] Once it's over then.
[16:22–16:23] Yeah.
[16:23–16:24] I know.
[16:24–16:25] Unless that extra would not do in Christmas again.
[16:25–16:26] I know.
[16:26–16:29] Unless that extra would not do in Christmas again.
[16:29–16:30] What if it's a match?
[16:30–16:33] Well, I'll go over something and make them dinner.
[16:33–16:35] I've just got, I look out the evening.
[16:35–16:36] Too sad.
[16:36–16:38] He needs that at Christmas dinner.
[16:38–16:39] And he'll get one anyway, for sure.
[16:39–16:40] Yeah.
[16:40–16:46] So wait a little bit of drama, scandal, or madness, or some little story from the week.
[16:46–16:50] And it starts off by saying, wait a little bit and it just means that.
[16:50–16:51] Wait a little bit.
[16:51–16:52] Yeah, wait a little bit.
[16:52–16:55] So mine is in London right.
[16:55–16:56] Oh my god, I want to cry.
[16:56–16:59] Just thinking about we were in her getting a job in the juice.
[16:59–17:00] I'm going to have to have the juice.
[17:00–17:03] And we were going to get another tube afterwards.
[17:03–17:04] So we got off the tube.
[17:04–17:05] Got the job in the juice.
[17:05–17:07] Or it was a tiny little job in the juice.
[17:07–17:09] Going to be in stand and she was like, do you mind when it's high?
[17:09–17:10] I was a little bit at high.
[17:10–17:15] And there was this lady came up and she was probably like 60.
[17:15–17:16] 65 or anything.
[17:16–17:18] But I guess people they just, I'm going to say.
[17:18–17:19] Yeah, I'm terrible.
[17:19–17:20] She said 65, I'd say.
[17:20–17:24] And she was like, she had loads of bags where she's like, do you know where this street is?
[17:24–17:27] And I meet some friends there for dinner and stuff.
[17:27–17:29] I thought I was like, she could still be working if we work friends.
[17:29–17:31] That kind of what's the age she was.
[17:31–17:34] And I just felt older actually.
[17:34–17:38] Anyway, and I don't know the area and what to do to a shoulder on maps.
[17:38–17:40] So I was like, I just go straight and left a little bit.
[17:40–17:41] It was kind of, it was complicated.
[17:41–17:42] Yeah, you wouldn't remember.
[17:42–17:43] We're kind of thinking.
[17:43–17:44] You'd be in a bit older.
[17:44–17:45] She had a phone.
[17:45–17:46] No.
[17:46–17:47] She had a foot, later on then we was governing out of home.
[17:47–17:48] But she, I don't think she knows.
[17:48–17:50] Like, two maps and so forth.
[17:50–17:51] She was like, do you know where it is?
[17:51–17:54] And we show older and then she's walked to the road.
[17:54–17:55] And I look like we're set as I jump.
[17:55–17:57] I looked at my right and she was there.
[17:57–17:59] And she was like, just kind of like, sombal with the bags.
[17:59–18:00] I was like, I can't.
[18:00–18:04] And I was like, yeah, we have to go and it was like an eight week on our rafts, it was like an eight minute walk.
[18:04–18:08] I was like, fuck the Jones, you see the third, we come back, it's where I'm not ordered again.
[18:08–18:11] So we ran around, well, I hobbled up to her too, it was around all of a sudden.
[18:11–18:14] We were like, don't want to super bring it like we, I just had to go around that way anyway.
[18:14–18:16] I don't want to be like we were like mind and early.
[18:16–18:17] Yeah, yeah.
[18:17–18:18] But we're on that way.
[18:18–18:26] And we took our bags off and so often we were walking, we were just chatting to her about Christmas and all her plans and she was like, oh, I'm volunteering this year.
[18:26–18:32] And of course, I say my lay husband's done it before and now I'm like following his footsteps.
[18:32–18:37] And I'm like, just very light from and then when we left her, I just, I burst into his.
[18:37–18:41] She has videos and was like, oh, like I just, I just found my ocean.
[18:41–18:42] I don't know what it was.
[18:42–18:43] Like her.
[18:43–18:47] I just like you obviously like I wish someone, I hope someone would do that for my family member.
[18:47–18:48] Yeah.
[18:48–18:52] That's why it's like important to always do stuff like that.
[18:52–18:52] Yeah.
[18:52–18:57] And just to me, like it's not a time here, like a fish for her, it sounded like she just like, I don't know.
[18:57–18:58] I didn't ask when.
[18:58–19:00] You guys, like it sounded like just the first Christmas without.
[19:00–19:01] Right.
[19:01–19:06] I mean, yeah, that could like meant last year, like it was just, oh, if I see anyone on their own, like I'm not.
[19:06–19:08] All people just kill me.
[19:08–19:13] They go to you and murder and like, I feel about like, because you don't know who they are.
[19:13–19:19] You just think they're adorable and cute and like, I just make a story about how they're like, yeah, person and their ones.
[19:19–19:22] I don't know if it's good or bad to be really empathetic.
[19:22–19:23] I fuck fears bad.
[19:23–19:24] Yeah.
[19:24–19:28] I feel like I take on people's emotions a lot sometimes.
[19:28–19:29] I think you can feel them.
[19:29–19:34] Yeah, you can also like, you always want to think the best and people.
[19:34–19:35] Yeah.
[19:35–19:36] Yeah.
[19:36–19:38] That might not always be the case.
[19:38–19:39] No.
[19:39–19:41] I feel like I don't think that.
[19:41–19:41] No, I do actually.
[19:41–19:43] I do, definitely.
[19:43–19:47] I think I think, oh, no, no, but like, like someone, yeah, tell me about someone.
[19:47–19:50] I'd be like, yeah, but yeah, true.
[19:50–19:51] I do that.
[19:51–19:52] Yeah.
[19:52–19:53] You want to excuse people's.
[19:53–19:54] Hmm.
[19:54–20:02] But it's because when you are a nice person or like, if you consider a rather good person, then you think everyone's like, because you can't imagine what it's like not to be.
[20:02–20:05] Because you can't feel that like, you don't know how to do it.
[20:05–20:06] Yeah.
[20:06–20:07] Yeah.
[20:07–20:08] That was my story.
[20:08–20:11] And then we ran back down to the house and they were there.
[20:11–20:12] Yeah, they were.
[20:12–20:13] I don't know.
[20:13–20:14] I put them in the bin.
[20:14–20:16] We were off for like, what, 20 minutes.
[20:16–20:17] But I was just parrots.
[20:17–20:19] They were like, well, they're gone.
[20:19–20:20] Yeah.
[20:20–20:21] Not a bit.
[20:21–20:22] I don't know.
[20:22–20:23] I'm sure we wouldn't taste spicy, too.
[20:23–20:24] You know, it's how much I was fucking.
[20:24–20:25] Oh, it's a bit of a salmon.
[20:25–20:26] It's how nice.
[20:26–20:29] If they had drowned us here, I would be broke.
[20:29–20:30] What should I see?
[20:30–20:33] They made up around by the mansion house.
[20:33–20:35] Is it the mansion house?
[20:35–20:36] Is it pre?
[20:36–20:38] Have we always had pre?
[20:38–20:39] We have pre.
[20:39–20:40] It's only new.
[20:40–20:42] It's like, like, new-ish.
[20:42–20:44] It's all back where the.
[20:44–20:45] Near a house.
[20:45–20:46] Yeah, yeah.
[20:46–20:47] Is that called the mansion house that place?
[20:47–20:48] No.
[20:48–20:49] I don't know.
[20:49–20:50] I don't know where the mansion house is.
[20:50–20:51] I don't either.
[20:51–20:52] I think that's where fire is.
[20:52–20:53] Oh, it is.
[20:53–20:54] Yeah, it is the mansion house.
[20:54–20:55] It's a liar.
[20:55–20:56] Big fat liar.
[20:56–20:57] Big fat liar.
[20:57–21:07] Big and bleak the week is when we pick one high, which is our peak and one low, which is
[21:07–21:09] our peak that has happened within the last week.
[21:09–21:13] What is your peak and bleak this week?
[21:13–21:16] My peak is that I got to spend time with for a saw down above, seeing then Ollie and
[21:16–21:21] Jasmine as I look at every time I see Jasmine using, there's some crisis just happened in
[21:21–21:22] my life.
[21:22–21:24] I'm really, really happy every time.
[21:24–21:26] And I go over and I'm depressed.
[21:26–21:29] I go over to run away from life for a bit.
[21:29–21:30] But this time, I was so.
[21:30–21:31] It was just normal.
[21:31–21:33] Yeah, and I was like, it's so lovely.
[21:33–21:36] I spent time with them and I just loved them.
[21:36–21:37] I felt cute.
[21:37–21:38] My hair felt ready for.
[21:38–21:40] After that week, it hasn't just the nicest person ever.
[21:40–21:44] She's just a polypocket and I want to put my pocket in, let her do my hair.
[21:44–21:49] But I just want someone who's already so beautiful and then when they're, it's just, I just
[21:49–21:54] think being nice makes you like.
[21:54–21:56] If someone's really going to look at me and I'm like, you're ugly.
[21:56–21:57] You're rotten.
[21:57–21:59] I don't see you can't see to be in someone then.
[21:59–22:01] Yeah, when they're mean, I just love someone.
[22:01–22:02] So nice.
[22:02–22:03] I want your bleak.
[22:03–22:07] My peak is when I have to leave Dana and I cried in King's Cross Station.
[22:07–22:10] So in the last year, are you okay?
[22:10–22:11] No, I don't know.
[22:11–22:16] I wasn't like, so I'm feeling, yeah, yeah, but sad girl for God's sake.
[22:16–22:18] I had to run back and run her hook.
[22:18–22:21] It kind of reminds me of when my mommy's gonna leave me at school.
[22:21–22:23] Oh yeah, why did we cry?
[22:23–22:25] Yeah, I cried every day.
[22:25–22:26] Did you?
[22:26–22:29] I just don't like saying bye and I can be in, huh?
[22:29–22:31] Just like in which old?
[22:31–22:32] Yeah.
[22:32–22:34] That was just so cute.
[22:34–22:35] It was adorable.
[22:35–22:36] I knew you don't mind.
[22:36–22:38] I told them to find me a Christmas present and told me it was why I made you look.
[22:38–22:39] I said, thanks.
[22:39–22:40] I'm so fancy.
[22:40–22:41] I got to run.
[22:41–22:42] On the roof.
[22:42–22:43] Yeah.
[22:43–22:44] On the roof.
[22:44–22:48] I don't know what my peak of link is of this week.
[22:48–22:50] What's going on this week?
[22:50–22:52] We have our Christmas girls, my own.
[22:52–22:53] Yes.
[22:53–22:55] So if I hear that, that'd be a good one.
[22:55–22:56] Queen Vins are we at home today?
[22:56–22:57] Yeah.
[22:57–22:59] They landed in front of the big apple.
[22:59–23:00] Dirty.
[23:00–23:02] But we have some in our homes since she moved.
[23:02–23:04] Is that her first son?
[23:04–23:05] Toshna.
[23:05–23:06] Yeah.
[23:06–23:09] Yeah, is that because you only moved in, um, was it me or someone?
[23:09–23:10] It would have been.
[23:10–23:13] What if someone went originally in May?
[23:13–23:14] April.
[23:14–23:15] May.
[23:15–23:16] Yeah.
[23:16–23:17] In terrible with my lunch.
[23:17–23:18] No, it ain't.
[23:18–23:19] My, my tray for actually.
[23:19–23:22] I think it was April, though, pretty sure.
[23:22–23:23] So that'd be good.
[23:23–23:24] Yeah.
[23:24–23:26] And then it's, yeah.
[23:26–23:27] And then my bleak.
[23:27–23:30] Actually, I found all right week.
[23:30–23:31] It's been sickle of my throat.
[23:31–23:32] But so, so.
[23:32–23:33] Probably the way.
[23:33–23:34] Not what it definitely was.
[23:34–23:35] Second?
[23:35–23:36] Yeah, I woke up on Sunimani.
[23:36–23:37] Is it ever new?
[23:37–23:38] Oh, after drinking.
[23:38–23:39] Yeah.
[23:39–23:40] Oh, Jesus no.
[23:40–23:41] Yeah, I'm almost the new.
[23:41–23:43] So I think yeah, this is not nice.
[23:43–23:47] I'm just gonna give Bob a Christmas party this week.
[23:47–23:48] Oh no.
[23:48–23:49] Oh no.
[23:49–23:50] No.
[23:50–23:51] Carriage.
[23:51–23:52] And he gets to zoom.
[23:52–23:53] Yeah.
[23:53–23:54] And they're so excited.
[23:54–23:55] So we just be upstairs on the car.
[23:55–23:56] We're going.
[23:56–23:57] Yeah.
[23:57–24:00] So we have to give him peanut butter on his spoon and we let him lick this spoon and we blow
[24:00–24:01] the rhyme.
[24:01–24:02] Aww.
[24:02–24:04] And he goes real fluffy when you blow.
[24:04–24:07] And then does he mat down like he's like, it goes.
[24:07–24:08] I think it goes kind of normally.
[24:08–24:09] Yeah.
[24:09–24:11] But I bought more like love shampoo and I bought him new bed.
[24:11–24:14] And I asked him, I'm not saying it's like, so what are you getting Bob before Christmas?
[24:14–24:15] She was like, oh, I have a few ideas.
[24:15–24:16] I was like, oh my gosh, she's getting hot.
[24:16–24:17] Oh, that's so cute.
[24:17–24:18] I like that's a joke.
[24:18–24:19] I know.
[24:19–24:20] I know.
[24:20–24:21] I know.
[24:21–24:22] I know.
[24:22–24:23] I know.
[24:23–24:24] I know.
[24:24–24:25] And they're wrapping paper.
[24:25–24:26] They love.
[24:26–24:27] I sent my mom.
[24:27–24:29] I had to send my mom a tiktok last night.
[24:29–24:33] And it was like, when you come home, aggravate it about your, when you come home from walking
[24:33–24:38] your overreactive dog and you're annoyed at your dog and like your pissed off.
[24:38–24:42] Then the other half it was just the dog, like the dog's mind.
[24:42–24:44] And it was like, thanks for bringing me out, mom.
[24:44–24:48] I really enjoyed the fresh air and like all these lovely things.
[24:48–24:51] I was like, yeah, I was like, never, ever giving out a bit.
[24:51–24:52] And we're like, oh god.
[24:52–24:54] The bass or child, we's adorable.
[24:54–24:55] Yeah.
[24:55–24:56] I can't.
[24:56–24:57] So no.
[24:57–24:59] Like, you have to keep thinking of the effect you're on.
[24:59–25:02] So today we are joined by three very special guests.
[25:02–25:06] And if you're at any of our recent live shows, you'll be very familiar with these guys.
[25:06–25:09] Please welcome to home my drink today chasing Abby.
[25:09–25:10] Hello, girls.
[25:10–25:11] Hello, are you?
[25:11–25:12] I see you again.
[25:12–25:13] Three hung overhead.
[25:13–25:14] Yeah.
[25:14–25:15] Three soft heads.
[25:15–25:18] Come here, you're starting the podcast like we started as well.
[25:18–25:19] We used to always hung out.
[25:19–25:20] Oh really?
[25:20–25:21] Oh, yeah.
[25:21–25:22] Oh, sweet.
[25:22–25:25] It was the time here that we started that we were just cut.
[25:25–25:28] But we would record on a Monday to the two day hang out.
[25:28–25:29] It was worse.
[25:29–25:30] And it'd be like, you couldn't even speak.
[25:30–25:31] Yeah.
[25:31–25:33] And you usually have the good shots when you're hungover though.
[25:33–25:34] Yeah, you do.
[25:34–25:35] You think you're really good still playing.
[25:35–25:37] Yeah, see you a bit more of a seed.
[25:37–25:38] A bit more.
[25:38–25:40] How do you feel, how do you feel, bit room?
[25:40–25:41] Yeah, a little bit room.
[25:41–25:42] A little bit fragile.
[25:42–25:43] Yeah, it's fine.
[25:43–25:45] What did you think of the live shows?
[25:45–25:46] Did you have a full-time?
[25:46–25:47] Oh, I believe it.
[25:47–25:48] Oh, wow.
[25:48–25:50] I tell you, the audience you get is insane.
[25:50–25:51] They're so up for it.
[25:51–25:52] Oh, no.
[25:52–25:53] Yeah.
[25:53–25:55] Especially the first song we did was Vicar Street.
[25:55–25:57] Oh, that's just an avenue.
[25:57–25:58] That's an avenue.
[25:58–26:00] I say, I say it used kind of,
[26:00–26:03] but now we obviously don't have done as many live performances
[26:03–26:04] of you have done.
[26:04–26:06] But I'd say you used to find a real difference,
[26:06–26:08] do you, in the places you go?
[26:08–26:09] Do you find the crowds are really different?
[26:09–26:10] Yeah, yeah, yeah.
[26:10–26:11] Even like, yeah.
[26:11–26:13] Where you are in Ireland as well.
[26:13–26:14] That's what we find.
[26:14–26:17] We are doing Dolby and Salaudists, right now.
[26:17–26:18] Dolby is very good.
[26:18–26:19] Very good.
[26:19–26:21] We're also writing down South as Corbin.
[26:21–26:22] Yeah, Corbin.
[26:22–26:23] Corbin.
[26:23–26:24] Corbin.
[26:24–26:25] Corbin.
[26:25–26:26] Corbin.
[26:26–26:27] Corbin.
[26:27–26:28] Corbin.
[26:28–26:29] Corbin.
[26:29–26:30] Yeah.
[26:30–26:31] I'm expecting that,
[26:31–26:32] that's out to be louder.
[26:32–26:34] I tell you what, I think in Dublin,
[26:34–26:37] people are very good, we find,
[26:37–26:41] if there's a good culture in places for going to gigs in some,
[26:41–26:42] right.
[26:42–26:45] So people in Dublin are used to going to concerts, going to gigs.
[26:45–26:46] Yeah, true.
[26:46–26:50] But when we go to places that people just don't go to gigs that much,
[26:50–26:53] they're nearly like, don't know how to have gigs.
[26:53–26:54] What do you do?
[26:54–26:55] Yes, we do.
[26:55–26:56] I'm comfortable in the venue.
[26:56–26:57] We said that.
[26:57–26:59] I mean, we're having a podcast live show,
[26:59–27:00] because it's not like the concert.
[27:00–27:05] Yeah, yeah, yeah, sometimes we feel like we don't know of the crowd know that they're allowed talk or like
[27:00–27:01] You're first.
[27:05–27:07] Or that they're not allowed yet
[27:07–27:09] Yeah, yeah, yeah, the whole code has to go that's it
[27:09–27:13] Well, that's it. You're doing such a new thing like that culture has to kind of form
[27:13–27:15] For yeah, you have to kind of learn how to act that
[27:16–27:21] How like it's like a gig culture is like people act a certain way at a gig and they come up the front row and of the hands
[27:21–27:23] We haven't like yeah, yeah, yeah, yeah
[27:23–27:26] It's the same thing like I want to do on not to do
[27:26–27:29] Yeah, yeah, yeah, and had you played the Limerick for you before never never no
[27:29–27:32] I went to college and Limerick for a very
[27:32–27:39] Very very period and I went to one lecture in that place. Yeah, my sister was actually there that night
[27:40–27:45] Yeah, she is in college there. She had lectures there that week under week after and she was sending me
[27:48–27:50] Weird
[27:50–27:54] She goes to show where she goes to college she was at the show too. Oh my god
[27:59–28:02] She's so cute. Oh, big retreats nice venues
[28:02–28:06] Yeah, I'm actually one of the favorite yeah, even backstage you see all people at play there before I like
[28:07–28:11] Can we see a picture of Kanye West? Yeah, yeah, yeah, I'm a surprise
[28:11–28:18] Yeah, and I cheer it is I can't yeah, and it feels really intimate. Yeah, I know what Mattie Christy Mordor does he do every Christmas
[28:18–28:20] There
[28:20–28:22] Yeah, yeah
[28:22–28:24] We worked even told him more last time
[28:24–28:26] You see him
[28:26–28:33] I don't think I know I'm doing that. Are you saying? Yeah, you said you don't look just
[28:33–28:39] I think I'm right on yeah, he's told that was me
[28:39–28:41] Kill her oh
[28:41–28:44] I think I think she's
[28:44–28:50] I use that a lot more and just yeah, yeah, yeah, I like around up and I don't even know where tomorrow is not gonna like it
[28:50–28:56] Right, okay, so it's all over is in awfully. Okay. It's the county town of off. Yeah, it's near the
[28:56–29:02] Lureland about an hour. Yeah, okay, yeah, it's a small town. It's only about 12,000 people live there
[29:03–29:06] We all went to the same school not the same
[29:06–29:08] I saw a picture of you is actually
[29:08–29:10] He's younger because there's this one
[29:10–29:11] He's look
[29:11–29:14] Yeah, he's here look younger anyway. I look so different
[29:16–29:18] Small I'm fast
[29:18–29:20] Everybody needs to go look at that
[29:20–29:22] I used to hate that picture
[29:22–29:26] I love it. Yeah, yeah, yeah, in the same second just go together
[29:26–29:31] Yeah, seven seven seven, that same class. Okay. Yeah, I made rolls wild three years younger
[29:31–29:34] Yeah, um, and we put together for radio interview
[29:34–29:36] Oh, no, I like
[29:36–29:37] Confucian
[29:37–29:42] Yeah, yeah, yeah, yeah, me and me were put together and we were like we need someone else when we knew we're always there
[29:42–29:44] We're lacking something massive
[29:44–29:46] Like how does he only like
[29:46–29:49] Like how does he like to think but we saved them we went down to Spanish
[29:49–29:51] I was in Spanish
[29:51–29:52] Spanish
[29:52–29:54] Like come on you eyes delight
[29:54–30:00] Was it like a competition for? Yeah, our pilot midlands undercover. We played no, it's partly crazy crazy
[30:00–30:01] We're ropting
[30:01–30:02] They did us oven
[30:02–30:03] I'm gonna do it
[30:03–30:04] No, no
[30:04–30:07] It was our first time on radio though. I remember hearing it
[30:07–30:09] Yeah, it's still out there somewhere
[30:09–30:11] Would you do your fun?
[30:11–30:13] He's ever still singing like this?
[30:13–30:15] Never actually how do we pick that song?
[30:15–30:16] Yeah, we have
[30:16–30:17] I can't really think
[30:17–30:22] Actually, sure, it's my first thing that you did kind of together. Yeah, yeah, yeah, first
[30:22–30:23] First song ever
[30:23–30:28] We went separate ways that well, yeah, we kind of didn't play together them for good while and after that
[30:28–30:31] But that was the first time we were playing in other different bands and
[30:32–30:35] After that why do I feel like bands is a real country thing?
[30:35–30:37] Hmm, is that bad today in my left side?
[30:37–30:38] No, I know
[30:38–30:40] I feel like
[30:40–30:45] Like it's like even in school environment and stuff in the country. It's more of like a
[30:46–30:50] Even when I was a schooler at and like if there was a word of a band, you would think her
[30:53–30:54] Really?
[30:54–30:56] Yeah, yeah, yeah, yeah, I feel like it's more accepted
[30:56–31:02] No, I feel like small towns are larger, you know, very different to the bands like Chess and Avi
[31:02–31:05] Like we were full band to not playing country
[31:05–31:09] We hadn't really like tried and stepped out into like a really like like you know
[31:09–31:14] We were we were just kind of doing everything else was doing but when we started to Chess and Avi that was we were really like
[31:14–31:20] Letting out of boundaries then right we're gonna be artists now and then we did get a lot of that like anything
[31:20–31:23] Yeah, I always work in there dad's pub in Tolomore and
[31:24–31:33] When we don't knew like all the local regulars not in there new like I'd be playing music but not like dance music or writing our own tunes
[31:33–31:36] Yeah, the first one that we put out and obviously dad was like sharing and stuff
[31:37–31:42] The YouTube links and I said they're all seen and I remember the outlet I was like who do you think?
[31:43–31:45] Like
[31:45–31:47] I'm gonna call you Justin Bieber
[31:48–31:50] You're just a believer
[31:50–31:56] What is your like a big culture down in Tolomore for like music like would everyone does everyone do music like
[31:56–31:58] Not really not as big as you think like
[31:58–32:04] No, there's a there is a music scene, but like it's not like massive like it could literally could be a hundred people
[32:04–32:07] Yeah, we came up in like
[32:08–32:10] Surrounded by music
[32:10–32:12] Your childhood for you
[32:12–32:15] Always around me as well. I was dragged to him with the lesson. No, I like
[32:15–32:19] But no, I was loving it to play a banjo on Ted's
[32:19–32:26] Father was in a band's not like right so yeah around it a lot. Yeah, what is play each of his own instruments?
[32:26–32:28] Probably everything
[32:28–32:35] Bob's everything yeah, yeah, yeah, yeah, yeah, yeah start off on guitar first and then banjo and then
[32:36–32:40] piano and picked up other bits then drums and that yeah Jesus
[32:40–32:41] I think I went on yeah
[32:41–32:46] Yeah, so I don't banjo and then I then I went bow around guitar piano
[32:49–32:51] I know
[32:51–32:56] Play that and he used to always get called to play it at like if you had fucking the same Patrick's day
[32:57–32:59] Oh
[32:59–33:01] How's that thing like not like
[33:01–33:05] Primary school I was one of the only ones applied music and any event. I was like
[33:05–33:07] Drank up your job
[33:07–33:09] But were you kind of cool for that like that you could
[33:13–33:14] I
[33:14–33:16] Can give up music for like a year
[33:16–33:18] I was playing banjo in primary school and
[33:19–33:21] Jesus I was rinsed
[33:21–33:26] Like the teachers the teachers that have to like that would be patties there something and they were like
[33:26–33:28] I roll you play the banjo and you're like
[33:29–33:32] My my like push me in mad loving it
[33:33–33:35] Oh
[33:35–33:37] When you're a child
[33:37–33:42] You care what everyone yeah, the only thing you want to do with that age is blend in whatever
[33:43–33:45] All of us
[33:51–33:53] Yeah
[33:53–33:58] Everything like the teenage years we kind of just stop playing music what what definitely wanted to become professional
[33:59–34:04] Professional football or I was on the big professional talk. Yeah, yeah, and then I was like oh
[34:04–34:08] Yeah, I think thought there is a mic crossover between loads of the
[34:09–34:15] musicians are and bands and stuff that we be mixing with like a lot of Mark Godav sports or good
[34:15–34:18] Before I started like Tom punting like he's
[34:19–34:23] Never can in a ball or mat
[34:28–34:30] Elis left me I'm gonna marry
[34:34–34:36] This is your husband now
[34:40–34:42] I have to
[34:42–34:44] I wanna talk, it's either one of the older like you guys.
[34:44–34:46] Yeah, you're a good one.
[34:46–34:49] Yeah, I suppose we probably won't gift it.
[34:49–34:50] No, no, no.
[34:50–34:51] I want to.
[34:51–34:52] No, we won't give it away.
[34:52–34:53] We like it.
[34:53–34:55] I think we're just passionate.
[34:55–34:57] You know, you grow and you be.
[34:57–34:59] Yeah, but maybe that's what the crossover is.
[34:59–35:00] If you do have a passion for sports.
[35:00–35:01] Exactly.
[35:01–35:02] If you're a bit particular about shoes.
[35:02–35:03] Yeah, you can.
[35:03–35:04] It's kind of an obsession, too.
[35:04–35:05] Yeah.
[35:05–35:06] You have that obsessive kind of nature.
[35:06–35:08] You kind of really get into some doneness.
[35:08–35:09] Like music is said.
[35:09–35:11] You can just read, you know, everything about it.
[35:11–35:12] You learn everything about it.
[35:12–35:13] You just kind of what you're saying.
[35:13–35:15] It's kind of like having an addiction personality, is it?
[35:15–35:16] That's what it is.
[35:16–35:17] Yeah.
[35:17–35:18] I don't know what it is.
[35:18–35:20] Do you think you have a really good work ethic?
[35:20–35:21] Yeah.
[35:21–35:22] You say you say all of your stuff.
[35:22–35:23] Yeah.
[35:23–35:24] We hate being bad at anything.
[35:24–35:25] Yeah.
[35:25–35:26] Like they were all like.
[35:26–35:27] I don't feel like that.
[35:27–35:29] Like all of your instruments, like none of us played a field.
[35:29–35:31] Because we all tried.
[35:31–35:34] And we answered these one quarter, it's all none of us kept.
[35:34–35:35] So, no.
[35:35–35:36] That got fucked in the bin.
[35:36–35:38] I can't imagine being able to play something from here.
[35:38–35:40] Because I played a few instruments, but I just by no.
[35:40–35:41] Just by no.
[35:41–35:42] No.
[35:42–35:43] By ear, I'm like, that's a classic.
[35:43–35:44] I couldn't ever read it.
[35:44–35:45] Yeah.
[35:45–35:46] I just played piano, but I couldn't read it.
[35:46–35:49] I used to be lying in the lessons and all, like being like,
[35:49–35:52] and I'd be looking at the page and now what's going on in here?
[35:52–35:53] No.
[35:53–35:55] It's like I was just lexic, I was like, but I'd be playing it.
[35:55–35:57] But only because I knew how it's out.
[35:57–35:58] Yeah.
[35:58–35:59] I'd say she was like, where's your brain?
[35:59–36:00] It's all yours.
[36:00–36:02] So good at what you do.
[36:02–36:06] I know he was obviously didn't win the competition, but after that he grew up higher a little bit.
[36:06–36:07] But we're also friends.
[36:07–36:08] Oh we're friends.
[36:08–36:09] We're not in the band.
[36:09–36:10] I'm not.
[36:10–36:10] Yeah.
[36:10–36:11] I'm being the same band.
[36:11–36:12] Same poor band.
[36:12–36:15] Frozen like a family band, but my family like my producer.
[36:15–36:15] Oh, that.
[36:15–36:16] That's awesome stuff.
[36:16–36:19] What does a family band do when they go to pubs facing into?
[36:19–36:21] Like eggs, yeah.
[36:21–36:21] We just like-
[36:21–36:23] And then kill each other on the car and the way home.
[36:23–36:23] Yeah, best.
[36:23–36:25] Yeah, yeah, yeah.
[36:25–36:26] Okay, the wrong note.
[36:26–36:29] Our practice is used to be mayhem, which is killing each other.
[36:29–36:30] Oh god.
[36:30–36:33] And it is always going to do your own stuff, like original songs.
[36:33–36:34] I guess.
[36:34–36:36] I think, yeah.
[36:36–36:36] Yeah.
[36:36–36:39] It was always down or somewhere.
[36:39–36:41] I guess I was chasing after I started.
[36:41–36:46] Well, not started, but like we say a big part of the reason we started making electronic
[36:46–36:50] music was like we wanted to be cool amongst our friends.
[36:50–36:54] And when we played like the acoustics off in the trance of our friends,
[36:54–36:56] like you won't be sticking out on that house part.
[36:56–36:57] No, no, no.
[36:57–36:58] Yeah, yeah.
[36:58–37:00] We need to try and make a few tunes that we'd stick on at a house part.
[37:00–37:01] Yeah.
[37:01–37:02] That was great that we did.
[37:02–37:03] That was the beginning.
[37:03–37:05] Well, you still have to kind of try to aspect in it.
[37:05–37:06] Yeah, yeah, yeah, yeah.
[37:06–37:07] Kind of rock back now.
[37:07–37:08] Yeah, yeah, yeah, yeah.
[37:08–37:12] That's we've kind of tried to keep that in it in the beginning.
[37:12–37:13] And then we lost it a bit for a while.
[37:13–37:14] And now we're bringing it back in.
[37:14–37:15] Yeah.
[37:15–37:16] Which feels amazing.
[37:16–37:16] Yeah, that good thing.
[37:16–37:19] Our very first song has a banjo in it.
[37:19–37:24] But we were trying to find a way to get banjo and stuff in it and make it cool.
[37:24–37:26] So it doesn't really sound too obvious.
[37:26–37:28] Obviously now we're all my Johnny.
[37:28–37:29] It's very disinhabable.
[37:29–37:30] Yeah, you know, yeah.
[37:30–37:31] It was like, yeah.
[37:31–37:31] Oh, yeah.
[37:31–37:35] Well, the fact there towards the end of the banjo comes in.
[37:35–37:37] We were trying to keep all those influences,
[37:37–37:39] but kind of bearing the whole thing.
[37:39–37:40] Yeah, just a couple of people.
[37:40–37:42] And obviously thinking that's Irish straight away.
[37:42–37:43] Yeah, yeah, yeah.
[37:43–37:47] I think it's something to do with the Irish being so patriotic when they hear
[37:47–37:50] songs like, oh, my Johnny, like, you just instantly become
[37:50–37:50] Sarah Leppell.
[37:50–37:50] Yeah.
[37:50–37:51] Yeah, yeah, yeah.
[37:51–37:53] I don't know how it is straight away.
[37:54–37:55] Like, he breathed.
[37:55–37:55] Yeah.
[37:55–37:59] Even in the country or something, he'd be like, oh, like, you'd want to start there.
[37:59–37:59] Yeah, yeah, yeah.
[37:59–38:00] Be proud to be Irish.
[38:00–38:01] Yeah.
[38:01–38:04] We've got a lot of videos of people in Australia and stuff for
[38:04–38:07] people like some of the buyers and the people on table.
[38:07–38:08] Oh, my.
[38:08–38:08] Yeah.
[38:08–38:10] Most videos are cool.
[38:10–38:11] Where did the name come from?
[38:11–38:12] Chase and Abby.
[38:12–38:12] Yeah.
[38:12–38:14] Did someone chase the girl called Abby?
[38:14–38:15] That's what I thought.
[38:15–38:16] That's like, come straight away.
[38:16–38:18] Who would be in Chase down Abby's career?
[38:18–38:19] So come on.
[38:19–38:22] It's actually, it's more, it's more going back to that
[38:22–38:25] addictive kind of nature because when we first started
[38:25–38:27] making electronic music, we didn't have a name.
[38:27–38:29] So it was just a tree of us in B-Shed,
[38:29–38:32] but like the worst laptop, the worst speaker.
[38:32–38:32] Computer speaker.
[38:32–38:33] You were a little bit.
[38:33–38:33] You were a little bit.
[38:33–38:34] Oh, yeah.
[38:34–38:35] Yeah.
[38:35–38:35] Yeah.
[38:35–38:36] What's the jam?
[38:36–38:37] Yeah, no, no, no, no.
[38:37–38:37] Exactly.
[38:37–38:40] They were just thinking and they were all.
[38:40–38:42] It was the worst app when we thought it was unbelievable.
[38:42–38:43] Yeah.
[38:43–38:43] We're music-producing.
[38:43–38:44] Yeah.
[38:44–38:45] Very good.
[38:45–38:46] Trying to get Abby pictures.
[38:46–38:47] Yeah.
[38:47–38:47] Yeah.
[38:47–38:48] Can't have the waterfall.
[38:48–38:49] Yeah.
[38:49–38:49] Right.
[38:49–38:49] Yeah.
[38:49–38:50] So we had no name.
[38:50–38:52] We were just like, chance and I'm just kind
[38:52–38:53] of making electronic tunes.
[38:53–38:56] And like we have this thing.
[38:56–38:57] And I think all Irish people who were
[38:57–38:59] we nick them absolutely everything, like everything
[38:59–38:59] has a nickname.
[38:59–39:01] So we nick them the audience.
[39:01–39:03] So the people that we wanted to make music for,
[39:03–39:04] like our friends and stuff.
[39:04–39:05] Abby.
[39:05–39:05] That's what we nick them.
[39:05–39:08] So we're like, we'd make a tune and we'd be like,
[39:08–39:10] is Abby going to like this?
[39:10–39:11] No way.
[39:11–39:11] Oh my god.
[39:11–39:12] Maybe.
[39:12–39:14] And then we're like, Abby's going to head this.
[39:14–39:15] This guy.
[39:15–39:15] Yeah.
[39:15–39:16] This is a dead.
[39:16–39:17] Yeah.
[39:17–39:17] He didn't actually know.
[39:17–39:18] Also, we've got Abby.
[39:18–39:19] No, it was like, it was a...
[39:19–39:20] It was like...
[39:20–39:21] It was like...
[39:21–39:22] A demographic.
[39:22–39:23] It wasn't a gender either.
[39:23–39:25] It was like, they love female.
[39:25–39:27] It gave us something to aim at.
[39:27–39:27] Okay.
[39:27–39:28] Yeah.
[39:28–39:30] So then when the more we went into the studio,
[39:30–39:32] like, oh, Abby's going to love this.
[39:32–39:35] And that's when we thought it was a good tune, obviously.
[39:35–39:37] I was really like, so we got kind of addicted to that feeling.
[39:37–39:38] I was like, I love this.
[39:38–39:39] We're on the point.
[39:39–39:41] And then every day we're chasing that feeling.
[39:41–39:42] Chasing that feeling.
[39:42–39:42] Oh.
[39:42–39:43] Chasing that feeling.
[39:43–39:44] He's an Irish.
[39:44–39:44] Yeah.
[39:44–39:45] We got that.
[39:45–39:47] I think it's the Irish like the name.
[39:47–39:48] Yeah, thank you.
[39:48–39:48] We got that.
[39:48–39:50] And it's honestly still to this day.
[39:50–39:51] Which has nothing.
[39:51–39:52] We can never get enough of it.
[39:52–39:53] Yeah.
[39:53–39:55] You always want to keep going kind of...
[39:55–39:56] Yeah, yeah, yeah.
[39:56–39:59] It was clever because, like, there's three of us.
[39:59–40:02] So, you know, we'd all be listening to kind of the same stuff
[40:02–40:04] or kind of different stuff.
[40:04–40:07] So there will be days back then where you're all on a different page.
[40:07–40:08] Like, you know, you're...
[40:08–40:08] Of course.
[40:08–40:11] Where to be a catchoon, you kind of need to be pulling the same.
[40:11–40:11] Same.
[40:11–40:14] Yeah, it's a hard to agree on something sometimes.
[40:14–40:14] It can be.
[40:14–40:15] Sometimes.
[40:15–40:16] We always say we're happy we're not four-piece
[40:16–40:18] because then someone could go down with two.
[40:18–40:19] Or at least it's always two-four.
[40:19–40:21] At least it's so more.
[40:21–40:21] Yeah.
[40:21–40:23] Someone's getting booze on the screen.
[40:23–40:25] That's always thinking different than the other two.
[40:25–40:26] Oh, that's an interesting stuff.
[40:26–40:27] It's interesting.
[40:27–40:29] We all have our own ideas, I think, in fairness.
[40:29–40:30] Yeah, but...
[40:30–40:31] That does change.
[40:31–40:32] It does change.
[40:32–40:33] Yeah, it does.
[40:33–40:34] It depends on what you're deciding on.
[40:34–40:34] Yeah.
[40:34–40:36] Because there's no stubborn person.
[40:36–40:36] Yeah.
[40:36–40:38] Sometimes you can start a session
[40:38–40:40] and you'll have a bit of a vibe.
[40:40–40:43] And you can see two of us might see where it's going to end up.
[40:43–40:45] And one other person might see where it's going to end up.
[40:45–40:46] But that might be a totally different direction.
[40:46–40:47] Different direction.
[40:47–40:48] Yeah.
[40:48–40:49] And as you're going through the session,
[40:49–40:52] you kind of feel that we're not on the same page.
[40:52–40:52] Yeah.
[40:52–40:53] Yeah.
[40:53–40:54] So, right here.
[40:54–40:56] And then, in fairness to us, we always
[40:56–40:57] could have got right to stop the music.
[40:57–40:58] Yeah.
[40:58–40:59] What are we trying to do here?
[40:59–40:59] Yeah.
[40:59–41:00] Very cruel, but...
[41:00–41:01] Yeah.
[41:01–41:02] This is dark.
[41:02–41:02] Yeah.
[41:02–41:04] Well, literally, this song is like nothing.
[41:04–41:06] It's like lighter that or that.
[41:06–41:08] Is there ever stuff that you're like, this is shite?
[41:08–41:08] Oh, it was.
[41:08–41:10] Like, everything.
[41:10–41:10] Try an error.
[41:10–41:12] Yeah, yeah, yeah.
[41:12–41:12] We're a half-suscratic.
[41:12–41:14] We'll just go with garbage.
[41:14–41:14] Garbage.
[41:14–41:16] And it's like everything.
[41:16–41:16] Sorry, come on.
[41:16–41:17] No, I'll go ahead.
[41:17–41:18] I know. There's just...
[41:18–41:21] There's the worst is when we think it's good for a small...
[41:21–41:23] You know, there's like a new song syndrome.
[41:23–41:26] It's like you make something that's like,
[41:26–41:27] boy, this is unbelievable.
[41:27–41:29] This is the coolest thing we've ever met.
[41:29–41:32] And then we bounce it out and we play it to our families
[41:32–41:33] or send it to our managers.
[41:33–41:35] And like, sometimes there's like no reply.
[41:35–41:36] We're like, boy, it's like how are...
[41:36–41:37] No one's...
[41:37–41:38] No one's really saying anything about it.
[41:38–41:40] No one's saying it's not even next hit.
[41:40–41:41] Do you know what to do with this?
[41:41–41:43] And then, like, the next day, we listen to it and say,
[41:43–41:44] oh, dad is terrible.
[41:44–41:45] Oh, I feel bad.
[41:45–41:46] I will be honest with you.
[41:46–41:48] They'll tell you.
[41:48–41:49] Yeah, like sometimes.
[41:49–41:50] You need that.
[41:50–41:52] In their response, they might tell you directly what it is.
[41:52–41:54] Your response, be it or response.
[41:54–41:56] I didn't want to tell us it's good if they don't...
[41:56–41:57] Okay.
[41:57–41:59] Do you ever get the opposite of when something you think is bad
[41:59–42:01] and it actually ends up doing really well?
[42:01–42:02] All the time.
[42:02–42:03] I'll just say it really more.
[42:03–42:04] I'll just say it really more.
[42:04–42:05] You put the opposite of when you're like, that's it.
[42:05–42:06] And then everyone else.
[42:06–42:06] Yeah.
[42:06–42:08] Well, it's on TikTok.
[42:08–42:08] Yeah.
[42:08–42:10] I mean, all my Johnny, like, we just lashed it off.
[42:10–42:11] Yeah.
[42:11–42:12] Did you expect that response?
[42:12–42:12] No.
[42:12–42:13] No. Really?
[42:13–42:14] Good enough.
[42:14–42:15] No, not good enough.
[42:15–42:16] We were doing this thing where we set this goal
[42:16–42:19] where we're going to upload one song a week to SoundCloud.
[42:19–42:20] Okay.
[42:20–42:21] And we had done...
[42:21–42:24] We just like, write the song and tease it on TikTok
[42:24–42:26] and upload it to SoundCloud every week.
[42:26–42:27] So it was one song a week.
[42:27–42:29] And on the fourth week,
[42:29–42:31] we were at a translation,
[42:31–42:32] just a whole other story there.
[42:32–42:34] I wanted to get into that.
[42:34–42:36] I leave that one to the voice.
[42:36–42:38] But all my Johnny happened to be that song that week
[42:38–42:39] and we just put it off.
[42:39–42:41] And we were just moving on to the next song.
[42:41–42:44] But we came into the studio the next day after we were on TikTok.
[42:44–42:44] And we were like, hang on.
[42:44–42:45] Just got crazy.
[42:45–42:46] Wow.
[42:46–42:47] I was having stuff.
[42:47–42:48] And did you just make that really quick?
[42:48–42:50] Like, was it just something you didn't even think of?
[42:50–42:51] One day, one day.
[42:51–42:51] Yeah.
[42:51–42:52] That was just one day, job.
[42:52–42:53] Yeah.
[42:53–42:54] Like, literally a couple hours.
[42:54–42:58] Because the bit we put on TikTok was just the chorus.
[42:58–42:58] You know?
[42:58–43:02] Because we only had even the first release on SoundCloud
[43:02–43:03] as I can minute and a half long.
[43:03–43:04] You know?
[43:04–43:04] Was it full of sound?
[43:04–43:05] Yeah.
[43:05–43:07] It was literally just an idea.
[43:07–43:07] And...
[43:07–43:08] Just like a tease or kind of?
[43:08–43:09] Yeah, yeah, yeah.
[43:09–43:10] Preview.
[43:10–43:12] Pretty much every song we've had that's done well
[43:12–43:14] has been really quickly met.
[43:14–43:14] Yeah.
[43:14–43:15] A couple of hours.
[43:15–43:16] I always feel like...
[43:16–43:17] I made a song with a guy recently.
[43:17–43:18] And like, we made it too quick
[43:18–43:20] that I'm like, I hand-footed it up was too quick.
[43:20–43:21] Oh really?
[43:21–43:21] Yeah.
[43:21–43:24] And like, I feel nearly wrong when something goes well.
[43:24–43:24] Yeah, yeah, yeah.
[43:24–43:26] You're like, that's what you should expect.
[43:26–43:27] It should be heard.
[43:27–43:28] And you know.
[43:28–43:30] Apparently that's tape with Kray, greedy.
[43:30–43:31] She wrote down like 20 minutes ago.
[43:31–43:32] Yeah, and on.
[43:32–43:33] In the last song, the next song,
[43:33–43:35] the next song is just from the first and the first.
[43:35–43:37] But I tell you, it's like hours...
[43:37–43:39] It's the hours before.
[43:39–43:40] Of course.
[43:40–43:42] Like, you pull me in studio for like two weeks.
[43:42–43:42] Do you know what?
[43:42–43:43] No, it's happening.
[43:43–43:44] And then 10 minutes.
[43:44–43:46] Inspiration just hits at the weirdest times.
[43:46–43:47] And then, you never know.
[43:47–43:48] You just never know.
[43:48–43:50] It could be like, at any moment.
[43:50–43:51] And you just like, oh god.
[43:51–43:53] And these all-right songs together.
[43:53–43:54] Yeah, yeah, yeah.
[43:54–43:55] And there's a comfort things in your life.
[43:55–43:57] So like, just what you think will be catchy.
[43:57–43:58] Like, where does that start?
[43:58–43:59] So how gross is it?
[43:59–44:00] Definitely.
[44:00–44:03] I think every song, again, every song that's done well
[44:03–44:04] has come from something real.
[44:04–44:05] Mm-hmm.
[44:05–44:07] I think all good music has to come from somewhere.
[44:07–44:08] Yeah.
[44:08–44:09] How terrible.
[44:09–44:10] Do all songs have to rhyme?
[44:10–44:11] No.
[44:11–44:12] No.
[44:12–44:13] No, no, no.
[44:13–44:14] I think the roses doesn't.
[44:14–44:14] Yeah.
[44:14–44:17] Somebody all the tunes, it doesn't really rhyme.
[44:17–44:17] Yeah.
[44:17–44:19] Like pop music would rhyme a lot.
[44:19–44:21] But like, a lot of genres are what rhyme?
[44:21–44:21] They don't.
[44:21–44:23] You take on the banks of the roses.
[44:23–44:24] My love and I sat down.
[44:24–44:26] I took out my fiddle for a minute.
[44:26–44:26] Me too.
[44:26–44:28] There's no literally no rhyme.
[44:28–44:29] What if Chia's so glad to hear that?
[44:29–44:30] Yeah.
[44:30–44:31] I think the fourth time I heard it.
[44:31–44:34] I was expecting to say, for my love to play a song.
[44:34–44:35] Yeah.
[44:35–44:36] Yeah.
[44:36–44:37] In the middle of the tune, she's smiling.
[44:37–44:38] Yeah.
[44:38–44:39] That's a lot.
[44:39–44:40] No.
[44:40–44:41] It's like a story.
[44:41–44:42] Yeah.
[44:42–44:43] That's a lot of Irish songs.
[44:43–44:45] Dremelian music and school.
[44:45–44:45] Yeah.
[44:45–44:46] They're story-challenge.
[44:46–44:47] Yeah.
[44:47–44:52] So what's your, the evening Irish music backgrounds
[44:52–44:55] or have you ever played or sang Irish music?
[44:55–44:56] Played the most.
[44:56–44:57] Better play.
[44:57–44:58] No, I just played the recorder and school.
[44:58–44:59] We didn't just play the recorder.
[44:59–45:00] Hard, fucking recorder.
[45:00–45:02] We did it!
[45:02–45:04] You had that stick.
[45:04–45:06] What kind of music are you going to pick from?
[45:06–45:07] In your house.
[45:07–45:09] Britney Spears.
[45:09–45:11] She was a successful.
[45:11–45:13] The usual, the kind of pop culture.
[45:13–45:14] I got you.
[45:14–45:16] My dad was a massive lawyer in La Richipa.
[45:16–45:18] So your parents' influence is the big one?
[45:18–45:22] My mom's dad is a little bit of a love-signate of Connor.
[45:22–45:24] And because she's more.
[45:24–45:26] And the Dubliners.
[45:26–45:28] They actually met at Dubliners concert in London.
[45:28–45:31] Yeah, they're all G's.
[45:31–45:33] They're all in a row.
[45:33–45:34] So what genre are you?
[45:34–45:35] I want to see a car.
[45:35–45:36] I want to see a car.
[45:36–45:37] There's 100 with mix.
[45:37–45:39] I'm going to call it a trad house.
[45:39–45:40] Right now.
[45:40–45:42] I don't know what it really is.
[45:42–45:44] We're kind of dance music.
[45:44–45:45] I guess.
[45:45–45:46] I do.
[45:46–45:47] Mainly house side of dance music.
[45:47–45:48] Oh god.
[45:48–45:50] I do feel like a crowd in there.
[45:50–45:53] Do you feel like a pressure now to always have a trad or stuff?
[45:53–45:54] Or do you want that?
[45:54–45:55] I think we want that.
[45:55–45:56] You want that?
[45:56–45:57] I'm the one who's afraid of pressure.
[45:57–45:58] Yeah.
[45:58–46:00] I think we're delighted with what's happening now.
[46:00–46:01] See me?
[46:01–46:02] We were getting lost in the noise.
[46:02–46:03] Everyone was making pop dance.
[46:03–46:05] And it was like our house.
[46:05–46:08] And it was just like, it was so hard to break through that barrier.
[46:08–46:09] Yeah.
[46:09–46:11] And then you just add a little bit of trad and people just go,
[46:11–46:12] oh, it's something different.
[46:12–46:13] Yeah.
[46:13–46:14] Yeah, true.
[46:14–46:16] And then you kind of break through the noise a little bit.
[46:16–46:17] Yeah.
[46:17–46:19] And in music, because everyone's making music now,
[46:19–46:20] you have to be different.
[46:20–46:22] You have to be brave enough to be different.
[46:22–46:23] Yeah.
[46:23–46:25] I can imagine it's the scary thing to do though.
[46:25–46:26] It can be.
[46:26–46:28] Especially when you've got a lot of stikens everywhere.
[46:28–46:29] Yeah.
[46:29–46:30] Yeah.
[46:30–46:31] Yeah.
[46:31–46:32] Tick-tack is bad.
[46:32–46:33] I actually want you to become a meme.
[46:33–46:34] Yeah.
[46:34–46:35] We literally became a meme.
[46:35–46:36] Yeah.
[46:36–46:37] Was it landing in the bus?
[46:37–46:38] Yeah.
[46:38–46:40] By your best, you just like, you know, you've seen it all.
[46:40–46:41] Come on.
[46:41–46:42] I just want to see if people are stitching it.
[46:42–46:43] And they're like, yeah.
[46:43–46:47] But I feel like a lot of it was like American people stitching it.
[46:47–46:48] You didn't get it.
[46:48–46:49] Yeah.
[46:49–46:50] Oh, I saw it.
[46:50–46:51] Yeah.
[46:51–46:52] All Americans love it.
[46:52–46:54] What was the forest thing that you saw from your house?
[46:54–46:55] You saw from it.
[46:55–46:58] Like, you remember the forest thing being like, fuck you.
[46:58–46:59] We were, yeah.
[46:59–47:01] I'm not giving any doors, but he's credit.
[47:01–47:02] No.
[47:02–47:03] No, don't.
[47:03–47:04] No, don't.
[47:04–47:08] We were in Amsterdam and we were doing a gig and we weren't really paying attention to social
[47:08–47:09] media.
[47:09–47:10] Like, we were just busy.
[47:10–47:11] Yeah.
[47:11–47:14] And they were like, what was going on with you talking about?
[47:14–47:15] Like, the maintenance.
[47:15–47:16] The maintenance.
[47:16–47:17] The maintenance.
[47:17–47:19] A lot of you, I then there was like all these like, hey, video.
[47:19–47:23] It's just like, people look at a video and it's like laughing or just like, oh my god,
[47:23–47:24] what has happened here?
[47:24–47:25] What happened?
[47:25–47:26] Publicity is public.
[47:26–47:27] Yeah.
[47:27–47:29] And the strangest feeling because we've had the most successful year we've ever had.
[47:29–47:30] Yeah.
[47:30–47:32] The day before we got in all this, I guess it comes with it.
[47:32–47:33] It does come with it.
[47:33–47:37] I tell you what, we were expecting like more of it with all my journey.
[47:37–47:40] When we were releasing it, we were like, people are going to kick back over this a little
[47:40–47:41] bit.
[47:41–47:42] Three.
[47:42–47:43] And it never came.
[47:43–47:44] Like, we actually got no hair.
[47:44–47:45] No, I know.
[47:45–47:46] All my journey.
[47:46–47:47] No.
[47:47–47:48] And then it was learned to dance.
[47:48–47:49] That one, one 30 second clip.
[47:49–47:50] And my god went.
[47:50–47:51] The luck of shit.
[47:51–47:52] Oh, shit.
[47:52–47:53] I don't know.
[47:53–47:54] I don't get it.
[47:54–47:57] It was like, we never experienced anything like it.
[47:57–47:58] No.
[47:58–47:59] And what did you do?
[47:59–48:00] Does it set?
[48:00–48:01] It did.
[48:01–48:02] Yeah, it was right.
[48:02–48:03] It did.
[48:03–48:04] It was hard to talk.
[48:04–48:05] We taught at Dittinsport.
[48:05–48:06] When you go into the studio and try to do something else.
[48:06–48:07] You're all inspired.
[48:07–48:08] Yeah, you do.
[48:08–48:10] It's good thing to go through.
[48:10–48:11] We're stronger for now.
[48:11–48:12] Yeah.
[48:12–48:18] We feel like when you actually go through it, you kind of realise that all these people, it
[48:18–48:19] means not.
[48:19–48:20] No, yeah.
[48:20–48:21] Yeah.
[48:21–48:23] These people, it doesn't mean anything.
[48:23–48:24] Yeah.
[48:24–48:26] You can really look into it and you can think about it.
[48:26–48:28] But at the end of the day, they'll just move on to the next one.
[48:28–48:29] Yeah.
[48:29–48:30] They'll forget.
[48:30–48:31] They'll record that video about the phone and forget.
[48:31–48:32] Yeah.
[48:32–48:34] That's just, and people hop on the bandwagon as well.
[48:34–48:35] The students, I saw it won.
[48:35–48:36] It was everywhere.
[48:36–48:40] And the brand new people were trying to put on your point of views to it.
[48:40–48:41] Yeah.
[48:41–48:43] They just wanted to have the funniest, the best life.
[48:43–48:44] That's what I got.
[48:44–48:47] And if someone has to tear someone down to get views, like that.
[48:47–48:49] And it's giving news views.
[48:49–48:50] Yeah.
[48:50–48:51] I know.
[48:51–48:52] Yeah.
[48:52–48:53] And that's what social media is.
[48:53–48:54] Yeah.
[48:54–48:56] Things like you wait 24 hours and it's forgotten about it.
[48:56–48:57] Yeah.
[48:57–48:58] It's even the biggest thing.
[48:58–48:59] Yeah.
[48:59–49:02] Things will, there'll be something new or something different than that.
[49:02–49:03] Yeah.
[49:03–49:04] Exactly.
[49:04–49:09] I mean, when we were in, I tell you, I felt sorry for like, you know, you see people in the
[49:09–49:13] news for like, I know, things be trending about, you know, it could be stuff under personal
[49:13–49:15] eyes that are getting really, like for other famous people.
[49:15–49:16] Yeah.
[49:16–49:17] Yeah.
[49:17–49:18] Yeah.
[49:18–49:19] Yeah.
[49:19–49:20] And yeah.
[49:20–49:21] Yeah.
[49:21–49:27] with I'm not influencers and stuff getting actually rinsed and like you really see how terrible
[49:27–49:33] that when you can go like yeah so I don't even realize that like you know there's actually
[49:33–49:39] people behind that and for me like it wasn't even me that obviously it got me a little bit
[49:39–49:44] but it was actually seeing my family and my friend I'm actually more heartful to see how
[49:44–49:48] heart they were yeah yeah yeah no I'm good I'm grand and they're like this is disgraceful
[49:49–49:54] things are saying about you it's like it's grand yeah it's good has that died off now like
[49:55–50:03] it's just got to a consistent level okay it's a normal level it's just not like mad videos
[50:03–50:08] or whatever we're like oh my god there's some people are literally like these guys need to be
[50:08–50:15] shot like like calling for her a part of what's the thing called the what's the brigade what's
[50:15–50:19] the fire in fire in squad yeah yeah he's calling the squad that's what these guys in front of a
[50:19–50:23] fire squad I think because they want to get likes on their comments like yeah at least she
[50:23–50:27] would it is so they keep going works and works so I remember one comment in particular I was like
[50:27–50:33] I'm all for it's nice to be nice but these guys need to be shot and I was like that is a very
[50:33–50:39] interesting comment you're all for nice to be nice but you want to murder yeah you're all for
[50:39–50:43] very much yeah but I was like thanks lads my nands but dead 10 years
[50:43–50:47] so she she jumped out of the car for to turn this off
[50:48–50:56] yeah pretty funny yeah yeah yeah if you don't like that you know I mean like another one
[50:56–51:02] never get through it's actually landing as balls actually blowing up in South Africa randomly enough
[51:02–51:06] like it's gotten crazy crazy like like thousands of thousands of comments
[51:06–51:09] like the biggest listeners all probably to all the gombards
[51:09–51:14] yeah by seeing one hair comment on it was like so Africans ears must be painted on
[51:14–51:18] if you think it's good it's not like
[51:18–51:20] like no yeah
[51:20–51:24] yeah I feel like he would just take it so different everywhere
[51:24–51:28] yeah it's so subjective and stuff and like are are she will just want to hate sometimes
[51:28–51:32] they love a bit yeah they love a bit of all though yeah I just people love a little more
[51:33–51:36] just to give out they sometimes they just yeah it's to give out a bit of another
[51:36–51:39] rire first as well sometimes I got a message off a girl and she was like oh my
[51:39–51:43] guards I've so much new parents back for you and Ellie because they got stopped in the street
[51:43–51:46] asking whether they're out for to throw on TikTok and they got like a rinse under it and she's
[51:46–51:51] like oh my god yeah there's just four or five normal girls from Ireland that were in London
[51:51–51:55] and they're like we've got so much hate but it's not until you get it it's when you get it
[51:55–51:59] yeah it's like reading a group chat about yourself it is yeah I know yeah
[51:59–52:06] oh that's real that's not normal to know it's not to see yeah I just don't think how did I take
[52:06–52:10] there I stop when they're see something as I just stop and take it time out there day
[52:10–52:14] now you say no you mean I used to get like I never get a bit take I'd be like yeah you want
[52:14–52:21] to reply yeah you're spending time as we sometimes we come back with facts yeah so I mean
[52:21–52:26] yeah the reply is when they're incorrect about factually incorrect actually well actually you're
[52:26–52:31] wrong yeah yeah yeah and then most of them did later comment on oh look yeah that's really
[52:31–52:36] it's what I love that and did any of them start going easy for like done the song because you know
[52:36–52:44] people get stuck and person yeah yeah like the videos felt very sorry person yeah videos felt
[52:44–52:48] like it was like it was it was trying to humiliate it was like that's what that's what I felt like
[52:48–52:53] which it was that's what that's what I know so that they kind of hurt like a little bit like the
[52:53–52:58] videos like the comments whatever but people make videos and then then there's just like this like
[52:59–53:02] just like in that in the comments of those videos then they're all like a green way to
[53:02–53:06] yeah and again like a group chat that you're not meant to see but you're spear reading so
[53:06–53:09] the better they're like that's not really you're not meant to see your foot you're being
[53:09–53:15] high good use of fairness yeah yeah yeah yeah it's that oh my god oh look sir you've had
[53:15–53:20] a song called choices as well that went to number one what's it like getting the number one
[53:20–53:25] how do you get told there was wonder like do you just see it online and well you kind of have
[53:25–53:30] a a back end okay so you kind of constantly kind of monitoring it and like you're the label and
[53:30–53:35] the management would be updating very yeah it's fairly in the moment like it's not just you wake up
[53:35–53:39] and it's like yeah yeah yeah yeah yeah yeah yeah yeah yeah yeah yeah yeah yeah yeah yeah yeah
[53:39–53:43] try and have a good feeling that I say I call be like top 10 you're like right what do we do
[53:43–53:47] to kind of drive it on more yeah yeah yeah yeah go on try get number one but uh yeah it's very
[53:47–53:51] surreal feeling actually it's nice so when you're bringing it to a leader or yes you're
[53:51–53:56] a group chat oh my god oh yeah open that screen so you're just staring at it's just like all right yeah yeah yeah
[53:57–54:00] frame that nice yeah manage or managers like the mic
[54:00–54:04] out of it boys. Yeah, you're just playing with it. Yeah, like, yeah, no one's
[54:04–54:10] off and it's like, lads, I can even agree. Yeah, exactly. Like, and like, is it kind of
[54:10–54:13] an entry that you feel pressure in was at the end of the day, you're always your
[54:13–54:17] success is based on what you're putting out. Like, is that a pressure to always have?
[54:17–54:20] It's not like an identify where you go to work and get stuff done, like you have to put
[54:20–54:26] in the work. Is that pressure that you feel? Um, I think you just, for us, like, you
[54:26–54:31] have to just stay artistically in tune at all times. Once it, once you're in tune on
[54:31–54:35] that frequency, like, you'll probably make the right decisions more often than not.
[54:35–54:39] It's just when you're not on that artistic frequency, that's when things get difficult
[54:39–54:44] because you're, you're chasing your own tail. Yeah, you don't know. Like, when you're
[54:44–54:49] really clued into your artistic vision, things are easy. And I don't mean that in a cocky
[54:49–54:52] point of view. I mean, it's just, it's, it's, you have an instinct to go, this is what needs
[54:52–54:56] to be done. This is how needs to sound. This is what, you know, you have an idea. But
[54:56–54:59] when you're searching for that, that's when it's difficult because you're like, I'm
[54:59–55:04] not sure what I want to do. Yeah. Yeah. Yeah. If you start thinking like, oh, it has
[55:04–55:06] to be better than the last one. That's when you start getting lost. Yeah. You start
[55:06–55:10] going, yeah. And then that's when pressure starts coming in and people are like, oh, can
[55:10–55:13] I not be a little bit more like this on a tune? And you're like, um, but that's, I don't
[55:13–55:16] want to do that. You have to do what you use when you're, yeah, yeah. That's what I
[55:16–55:21] got you in first place. I think that will always lead you pretty, pretty. Yeah. And what
[55:21–55:25] is it like life on tour and stuff and use our all in relationships we'd ask before? Yeah.
[55:25–55:29] Yeah. Yeah. What do you see? These are not just a kind of long distance vibes. Yeah.
[55:29–55:34] These are very long. Yeah. My, my, my girlfriend is in New York. Well, oh my god. Is she
[55:34–55:40] from York? No. Well, she, she has an American passport. Yeah. Oh my god. Did you meet in
[55:40–55:48] York? No way. We childhood friends. Oh, childhood sweet. Oh, yeah. We tried to
[55:48–55:55] meet in New York. Yeah. Yeah. Since when? That's the country. Yeah. We went out for years.
[55:55–56:02] Um, and then we weren't together for a few years and now we're back together. Uh, is she
[56:02–56:07] working in New York? Yeah. She is. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah.
[56:07–56:11] Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah.
[56:11–56:14] Oh my god. Oh my god. Oh my god. Oh my god. It's so an extend as true. Yeah. And
[56:14–56:20] yeah. Yeah. We'll see. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. I've been with the
[56:20–56:26] same girl for 11 years now. Wow. Now we've got together on her 17 on her to have a double
[56:26–56:33] one. She's actually, she's from London. She moved through to the morning. She was 12.
[56:33–56:38] Oh my god. Now we met when we were 17 and we've been together ever since. Well, how do
[56:38–56:43] you keep a fresh after 11 years? I don't know. We're just a great team. Ah. I'm a great
[56:43–56:48] team. Like we're kind of opposites, but in the best way possible. Yeah. Like I'm a very
[56:48–56:53] kind of like anxious person. I'm like like really kind of highly strong and I can get really
[56:53–56:57] stress and she's like pure chill. Yeah. Yeah. She helps me and then when she brings it down.
[56:57–57:02] Yeah. She needs a little bit of my craziness. Yeah. I've got it. I've got it. Yeah. Yeah.
[57:02–57:05] Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah.
[57:05–57:10] We get on and yeah. Yeah. She she's been with me before. Chess Nabi. Mm hmm.
[57:10–57:15] George has now been like cold but when things are terrible when when things picked up again.
[57:15–57:19] Yeah. Yeah. Last year I was like, oh, this is just such a mirror like his cold but I was like,
[57:19–57:23] oh no. And she's like just give it one more year. And I was like, right, I'll do it.
[57:23–57:27] Are you about to pack it in like you're renewing? I was like, I'm so sick of music. I'm so sick of you.
[57:27–57:32] I'm sick of you. I'm just in the industry. Yeah. And yeah. So she said give it one more year.
[57:32–57:37] And I did. Oh. Thank god. I did. I think girls are always right. I know. Well, that's the thing.
[57:37–57:41] Honestly. Yeah. Yeah. She is always right. Yeah. Yeah. Yeah.
[57:41–57:47] Girlfriend or the mother. Yeah. Yeah. Yeah. Yeah. So I'm pretty much the very same as that.
[57:48–57:53] I've been with my girlfriend since 15, 16. Oh, my God.
[57:53–58:00] rental. That's a feel that you don't get distracted while in the band. Then just go crazy and like
[58:00–58:04] get distracted by your other views and have your home team. Yeah. Yeah. Absolutely.
[58:04–58:09] Yeah. Yeah. Yeah. So it worked. So your girlfriends ever have an impulse into any music? Yeah.
[58:09–58:14] Or probably first. Yeah. My play that. Yeah. As always, they're going to go to. Yeah. Yeah.
[58:14–58:17] Yeah. Yeah. Yeah. Yeah. Yeah. Do you think you're going to sing on your wedding days?
[58:17–58:20] What's that? Well, you sing on your wedding? Like at your wedding.
[58:20–58:25] I chase Navi. Yeah. I can even say that. You're on the group. At your own wedding.
[58:25–58:29] You say, yeah, that's why that's what I taught my head. Yeah. What did you do?
[58:29–58:33] Yeah. Well, as your speech. As you're what? As she's welcome to the aisle. You're just 16.
[58:33–58:38] I saw a wife singing herself up the aisle. Really?
[58:38–58:43] I was like, what do I do? You said Eric's wedding. Didn't you? Yeah.
[58:43–58:47] I do it on that. I do it like lay it on in the night. Yeah. Okay. Yeah. Yeah.
[58:47–58:50] Yeah. Yeah. Yeah. Imagine that. I said he's wouldn't do that.
[58:50–58:52] Eric was at the session last night. He sang his song as well.
[58:52–58:54] What? Yeah. He's the only guy. Yeah. He's the only guy.
[58:55–58:57] Oh, that's the song we had playing for. He's amazing. He's good.
[58:57–58:59] Yeah. He was great. Yeah.
[58:59–59:00] I didn't know that man. I didn't know that man.
[59:00–59:04] He's actually just gifted in there.
[59:04–59:06] Yeah. Yeah. He was also supported to change
[59:06–59:12] smokers or Sarah Larson and Reek8 places. What are they like in real life?
[59:12–59:14] I know Reek8. Oh yeah. Because you're best friends or Reek8.
[59:14–59:16] Reek8. I know Reek8. I know Reek8.
[59:16–59:20] You know, I was like, I was like, we're pennies of N. She's like, who wants to sing?
[59:20–59:24] I was like, I couldn't even hear me.
[59:24–59:25] It was just the back of her head.
[59:25–59:26] Oh, and I sing that video. So, I'm in the same state.
[59:26–59:28] I went to the next gig. Yeah, I did.
[59:28–59:31] I just put the back of her head and I was like, we're really sharing.
[59:31–59:32] Love the back of her head.
[59:32–59:35] I got the back of her head just with the mic in front of Reedor.
[59:35–59:36] I just, what's happening?
[59:36–59:37] Yeah.
[59:37–59:40] And what was it like to meet all the M&T's for?
[59:40–59:42] Yeah, I suppose one that really kills me is
[59:42–59:44] Chance Walker. Is there like one of my biggest inspirations?
[59:44–59:46] Wow. I love them.
[59:46–59:49] And like we were at our dressing rooms, we were like right beside each other.
[59:49–59:51] They were their own play and beer pong and all that crack.
[59:51–59:52] They were mad up for the crack.
[59:52–59:55] And we were like, no, let's, we're too cool for this now.
[59:55–59:56] Let's not annoy them.
[59:56–59:57] Tell me, fans.
[59:57–59:57] Yeah, yeah.
[59:57–59:59] We just want to, we don't know Reedor's guys.
[59:59–60:00] We don't know Reedor's guys.
[60:00–60:02] And literally it's one of my biggest regrets.
[60:02–60:04] Our music journey is so far.
[60:04–60:05] Well, you don't want to be that guy.
[60:05–60:06] You don't want to be that guy.
[60:06–60:07] Oh, you don't.
[60:07–60:08] Some day come back around.
[60:08–60:09] Yeah.
[60:09–60:11] And we'll tell them we didn't want to know you.
[60:11–60:12] Yeah, yeah.
[60:12–60:12] Or here now.
[60:12–60:13] And anyway, you know I knew them.
[60:13–60:14] Yeah, hopefully.
[60:14–60:15] Yeah.
[60:15–60:17] And we've been like, we're, I mean, anyone
[60:17–60:18] Reed's.
[60:18–60:19] Um.
[60:19–60:20] So today I'm named for you.
[60:20–60:21] Have you ever come across?
[60:21–60:21] Yeah.
[60:21–60:22] Tell me.
[60:22–60:23] Actually, it's not funny.
[60:23–60:26] Yeah, and Reeky, we were playing with him.
[60:26–60:30] And it was even mad when we got to call the support.
[60:30–60:32] And Reeky, because we didn't understand.
[60:32–60:33] We were like, we hardly fit that.
[60:33–60:35] But they wanted to just kind of contrast, you know.
[60:35–60:36] OK.
[60:36–60:37] A kind of different support.
[60:37–60:38] I actually really like, yeah, sure.
[60:38–60:39] It's the Trierina.
[60:39–60:41] Like, of course, we're not going to get it down.
[60:41–60:42] So we did it.
[60:42–60:43] I went out and gave a socks.
[60:43–60:44] Had a great time.
[60:44–60:45] Brought a few of our friends.
[60:45–60:47] It was actually had a good good boys.
[60:47–60:49] And then Enrique wasn't there like all day.
[60:49–60:53] He just arrived in last minute to perform.
[60:53–60:56] So we were standing side stage and watching this whole performance, which was class.
[60:56–60:57] Thought it was the show.
[60:57–61:00] And I was like, really good performance, everything.
[61:00–61:03] And then he was walking off stage and like, right now there's a chance we just
[61:03–61:04] sort of get a drink or something.
[61:04–61:05] Yeah.
[61:05–61:10] So I mean, I met him like on the corridor as he was kind of walking.
[61:10–61:11] He was dressing room.
[61:11–61:15] I was like, oh, well, a brief chat with him for like two minutes there.
[61:15–61:17] It's like, oh, we're heading up there to have a drink.
[61:17–61:19] And I was like, wow, we're fucking ballroom drinking.
[61:19–61:21] And then he was so up for it.
[61:21–61:23] Like, yeah, and he was sweating.
[61:23–61:26] And I was like, look, I'm just going for a quick shower first.
[61:26–61:27] I was like, yeah, cool.
[61:27–61:28] We meet each other.
[61:28–61:30] I was like, yeah, yeah, meet you guys up there.
[61:30–61:31] Savage.
[61:31–61:33] And then I was like, oh, boy, yeah, let's go.
[61:33–61:34] Let's go.
[61:34–61:35] Yeah, round the crew.
[61:35–61:37] And then walking on walk down.
[61:37–61:40] And then I was like, yeah, I'm going to go to the next room.
[61:40–61:42] And I was like, yeah, I'm going to go to the next room.
[61:42–61:44] And I was like, yeah, I'm going to go to the next room.
[61:44–61:47] And then the crew and then walking on walk down.
[61:47–61:51] And then the double doors open at the end of the corridor.
[61:51–61:54] There's like squag cars, like blue lights flashing.
[61:54–61:56] And he just like, kept walking into the back of the car.
[61:56–61:57] And just gone.
[61:57–61:59] And I was like, oh, no.
[61:59–62:00] No, no, no.
[62:00–62:01] No, no.
[62:01–62:02] Oh, he was there.
[62:02–62:03] Yeah, yeah.
[62:03–62:05] He was, he was basically like, yeah, yeah.
[62:05–62:07] He had like, and then he just walks straight into his car.
[62:07–62:08] Oh, yeah.
[62:08–62:09] Oh, my god.
[62:09–62:10] We were like, what's the call?
[62:10–62:12] Oh, I don't know.
[62:12–62:13] Yeah.
[62:13–62:14] Yeah.
[62:14–62:15] I love you.
[62:15–62:16] And he came in last night.
[62:16–62:17] We're like, yeah.
[62:17–62:19] Yeah, we're like, I'll come back.
[62:19–62:20] He's coming back.
[62:20–62:21] He's coming back.
[62:21–62:22] Oh, my god.
[62:22–62:23] Yeah.
[62:23–62:24] I seen him perform in Reseon.
[62:24–62:25] Tixaco's that sound.
[62:25–62:26] Oh, yeah.
[62:26–62:27] There we go.
[62:27–62:28] I don't know.
[62:28–62:29] That's why I see like, shack in the ground.
[62:29–62:30] Yeah.
[62:30–62:31] Yeah.
[62:31–62:32] Oh, I see none of that.
[62:32–62:33] I don't know.
[62:33–62:34] I don't know.
[62:34–62:35] I was going on there.
[62:35–62:36] He's like, let's see like, on the ground.
[62:36–62:37] Yeah.
[62:37–62:38] Shack in the ground.
[62:38–62:39] Yeah.
[62:39–62:40] I don't know.
[62:40–62:41] I don't know.
[62:41–62:42] I'm a beautiful man too.
[62:42–62:43] Oh, my god.
[62:43–62:44] Oh, stunning man.
[62:44–62:45] He's like, wow.
[62:45–62:47] I feel like he smells like a flower.
[62:47–62:51] Yeah, he had that hole all, like, yeah.
[62:51–62:52] Yeah, he had your, yeah.
[62:52–62:56] I was quite funny because we had been working in studios in London.
[62:56–63:00] Where he recorded some of his, he'd played plaques on the wall and he.
[63:00–63:02] But we've like hearing about an retanstle.
[63:02–63:03] Oh, it was hero.
[63:03–63:04] And wasn't hero.
[63:04–63:05] That was hero.
[63:05–63:06] Yeah, natural.
[63:06–63:06] Natural.
[63:06–63:07] Natural fun.
[63:07–63:08] Yeah, natural fun.
[63:08–63:09] Yeah, yeah.
[63:09–63:11] Funny is all the, all the packs run along.
[63:11–63:13] And I thought I saw who could mount the records.
[63:13–63:14] It's all.
[63:14–63:16] And then we were playing.
[63:16–63:17] Yeah.
[63:17–63:17] I remember.
[63:17–63:18] Oh, still.
[63:18–63:19] Yeah.
[63:19–63:21] I remember you had so much fire.
[63:21–63:22] There's so much fire during the show.
[63:22–63:23] Wow.
[63:23–63:25] And like women were just trolling every time.
[63:25–63:27] And I was just like watching the fire go up.
[63:27–63:29] And these garments is going straight.
[63:29–63:31] I know the funny story was there.
[63:31–63:33] Because we'd come out and we were like, right,
[63:33–63:34] let's go give it loads.
[63:34–63:36] We were kind of cursing and stuff on stage.
[63:36–63:38] Like, let's fucking go.
[63:38–63:40] Let's leave the rest.
[63:40–63:44] We got a message of a woman that was in the crowd
[63:44–63:45] and brought her younger daughter.
[63:45–63:46] What's this?
[63:46–63:47] Remember, yeah.
[63:47–63:51] But it's this motor brought her daughter to the show.
[63:51–63:51] Yeah.
[63:51–63:53] And it was the next day we got messages like,
[63:53–63:55] I thought your music was good.
[63:55–63:59] But I have to say is deeply offended by your language
[63:59–64:00] on stage.
[64:00–64:04] And then we were like, yeah, we're watching Rika
[64:04–64:07] like getting like Nick or strong to smell and though, man.
[64:07–64:09] He was also cursing my door.
[64:09–64:11] Yeah, he was cursing him.
[64:11–64:12] Shacking ground.
[64:12–64:14] He was like, he's going with Rika,
[64:14–64:15] fucking home and floor.
[64:15–64:16] Three cultures.
[64:16–64:17] Oh, no.
[64:17–64:20] We were up there, hoping to see me.
[64:20–64:22] See me sagging on the floor.
[64:22–64:25] You want to see fucking TikTok trends then?
[64:25–64:26] Oh my god.
[64:26–64:27] And Rika, just do it next time.
[64:27–64:28] Yeah.
[64:28–64:30] If we become a meme over later on, falls.
[64:30–64:31] Yeah.
[64:31–64:33] We have to ask one final question.
[64:33–64:35] What's your favorite song to perform live?
[64:35–64:37] Oh, for right.
[64:37–64:40] Oh, well, I love these questions because I never know the answer to them.
[64:40–64:41] It was.
[64:41–64:42] It was.
[64:42–64:43] It was.
[64:43–64:44] It was.
[64:44–64:45] When all my Johnny kind of blew up, it was all my Johnny.
[64:45–64:46] Yeah.
[64:46–64:49] And then we were doing more tradhouse in our sets.
[64:49–64:52] And we even know their tradhouse tune called Hurricane.
[64:52–64:53] And it's a bit heavier.
[64:53–64:54] It is.
[64:54–64:55] Yeah.
[64:55–64:56] Yeah.
[64:56–64:57] Yeah.
[64:57–65:01] It's a similar feeling to before we released, talked to me.
[65:01–65:05] Talk to me was randomly like the best song of night, even when people didn't know it.
[65:05–65:07] And then talking to me went on to a huge song.
[65:07–65:09] The live show, we're lovin' to our love.
[65:09–65:10] Yeah.
[65:10–65:11] I was in the back room.
[65:11–65:12] It goes off.
[65:12–65:13] Yeah.
[65:13–65:14] Hurricane similar to that in the live show.
[65:14–65:15] Yeah.
[65:15–65:16] It goes off really well.
[65:16–65:17] And people don't even know what you're saying.
[65:17–65:18] Yeah.
[65:18–65:19] Yeah.
[65:19–65:20] Like afterwards, you're shouting people that are in the crowd and they're like, oh, the hurricane
[65:20–65:21] zoom was class.
[65:21–65:25] And all our boys like the comwit as they hear it and soundcheck and stuff.
[65:25–65:26] And they're like, oh, you have to reach.
[65:26–65:27] You have to reach hurricane.
[65:27–65:28] Or you have to reach the hurricane.
[65:28–65:29] Yeah, you like real coms don't play.
[65:29–65:30] Yeah.
[65:30–65:31] Oh my god.
[65:31–65:32] It's kind of high energy.
[65:32–65:33] You're dark or kind of alive.
[65:33–65:34] It's a bit dark here.
[65:34–65:35] Yeah.
[65:35–65:36] It's cool.
[65:36–65:37] And this is what I'm talking about.
[65:37–65:38] That's probably it.
[65:38–65:42] And speaking of live shows, you have two gigs coming up in the tree.
[65:42–65:43] Three in a minute.
[65:43–65:44] Three in a minute.
[65:44–65:45] Yeah.
[65:45–65:46] Yeah.
[65:46–65:47] That's what's going on now.
[65:47–65:48] Yeah.
[65:48–65:49] How are you going to use it?
[65:49–65:53] In Dublin, so we have Friday the 5th of April, which is sold out and Saturday the 4th of May.
[65:53–65:54] We'll take it around, say on there.
[65:54–65:55] Yeah.
[65:55–65:56] Well, I'm recording this around sale.
[65:56–65:57] Yeah.
[65:57–65:58] Yeah, the record is on sale.
[65:58–65:59] Yeah, the record is on sale.
[65:59–66:00] Already, I hope it might be on.
[66:00–66:01] And I'm walking.
[66:01–66:02] Actually, just like you know, it's all I've got.
[66:02–66:03] I think it looked there last night for some reason.
[66:03–66:04] Oh, yeah.
[66:04–66:05] Yeah.
[66:05–66:06] Just not too much of that.
[66:06–66:07] For the second.
[66:07–66:08] Yeah.
[66:08–66:09] Welcome people.
[66:09–66:10] Expect from your live shows.
[66:10–66:11] Give us a little.
[66:11–66:12] Shag in the ground.
[66:12–66:13] Yeah.
[66:13–66:14] Yeah.
[66:14–66:15] Oh, it's just all I'd like to do.
[66:15–66:16] Actually, he's just going to be an hour of sagging the ground.
[66:16–66:17] Scab him.
[66:17–66:18] Great.
[66:18–66:19] Yeah.
[66:19–66:20] My energy.
[66:20–66:22] We want the crowd to be involved with us.
[66:22–66:23] Yeah.
[66:23–66:25] And every I would say like the energy you use spring is really.
[66:25–66:27] It's like, yeah, I've got some.
[66:27–66:30] We, we, uh, for years and pubs.
[66:30–66:31] So we get it.
[66:31–66:32] Yeah.
[66:32–66:33] Yeah.
[66:33–66:34] We really love the life.
[66:34–66:35] You know how to interact with the crowd.
[66:35–66:36] We really know.
[66:36–66:37] Yeah.
[66:37–66:42] We're not one of those bands that kind of perform and are happy with, um, just performing and
[66:42–66:46] us, you know, the crowd, the crowd, the crowd, the dude at that, that's on the bridge.
[66:46–66:47] Yeah.
[66:47–66:49] It's kind of like, this is my artistic thing.
[66:49–66:50] Yeah.
[66:50–66:51] Everybody look and listen and appreciate it.
[66:51–66:52] Yeah.
[66:52–66:56] Like when we're more like in the monster, we feel like we have to win over a crowd every
[66:56–66:57] time we walk in the room.
[66:57–66:58] Don't know why that is.
[66:58–66:59] Leave it all out there.
[66:59–67:00] If you breathe somewhere.
[67:00–67:01] If you breathe somewhere.
[67:01–67:02] Yeah, yeah.
[67:02–67:03] It's deep room.
[67:03–67:04] It's somewhere.
[67:04–67:05] Yeah.
[67:05–67:06] Oh, it's deep.
[67:06–67:07] It's deep.
[67:07–67:08] Yeah.
[67:08–67:09] No, I think actually, yeah.
[67:09–67:15] I think where that comes from is like when we were playing in pub bands, um, like
[67:15–67:18] you're, you were being paid terrible money.
[67:18–67:23] To go in and perform for like two or three hours and the owner of the pub will book you to
[67:23–67:26] Basically keep the people in that pub. Yeah
[67:27–67:29] Bring the money in for the pub
[67:29–67:32] People in the pub aren't actually there to see you
[67:33–67:38] Yeah, when you go in they're kind of like these are folk and making nice now. Yeah, I'm gone
[67:38–67:40] I'm going to the pub. Yeah, yeah
[67:41–67:44] It's a big responsibility for years. We were playing wagon wheel
[67:44–67:48] And like if we had a bad night or are playing songs that didn't like you'd get dogged out of it
[67:49–67:53] They come up here to tell you or the owner tell you to finish up or not pay you so
[67:54–67:59] Deep root from there if you're playing like a pub gigs are tough because if you're playing a pub gig and people are leaving
[67:59–68:01] You feel very responsible for that. Yeah, yeah
[68:03–68:05] I
[68:05–68:09] Like the the the pub owner is looking at you like this is your fault. Yeah, yeah
[68:09–68:13] I always had nice or you know you agree your fee with the the owner
[68:13–68:18] It's like your whatever you're getting paid and then ended and I come to be paid and he's just like
[68:18–68:21] I look like the crowd awesome great tonight. We're gonna give you half and you're like
[68:22–68:25] I'm gonna have to go for four hours and put it like 50 or like three hours. Yeah
[68:26–68:27] Oh my god
[68:27–68:30] Setting up your own gear set and the worst is then when you're finished to gig
[68:31–68:35] Bring all the gear out when everyone's hammered like why don't you play this song?
[68:36–68:37] And you're like
[68:37–68:39] No, it was definitely love that
[68:42–68:44] Kind of
[68:45–68:49] Yeah, so now we go out to the solos show and people out of here and we're still like I have to win them over
[68:50–68:52] Hey
[68:52–68:54] I'm gonna lose
[68:56–69:01] We've had like we had shows and court that were sold out and I'd be in the dressing room before I'm like
[69:02–69:04] Take it's
[69:07–69:09] To give
[69:14–69:16] No, the guy that
[69:16–69:18] I do know who it was
[69:18–69:22] G you know something or I don't know I don't know what it was that room that room that rules concert
[69:22–69:27] The boss the four was like tree rolls was concert just so we could just so that he's about under be nobody there
[69:28–69:34] It's so so troll that's so troll. I'm waiting. We'll find you on sub-smeade. I chase nabi everywhere
[69:34–69:36] Yeah, yeah, baby. EY
[69:36–69:38] Yeah, and Abby is a real person
[69:45–69:51] So we do see kids from the stalls every week where we give you advice kind of conversation to have with girls in the bathroom and i club
[69:51–69:54] That's how you things need to hear share your secrets and advice
[69:54–70:00] No share it not your secrets turn your secret wife and give you the real talk and that's why this is called
[70:00–70:03] Let's see kids from the stalls. These are all sent into our email address
[70:03–70:05] It's home. I drink a golo now calm
[70:05–70:11] And this is the only way we take in dilemmas for this segment not true dilemmas etc. Yeah, so we have two dilemmas here
[70:12–70:13] First one is
[70:13–70:16] Hi, Charlene Ellie. I'm lichy obsessed to your girls and your podcasts
[70:16–70:18] So I want to start off by saying thank you
[70:18–70:22] You both are amazing everyone now Wednesday the minute the podcast is up. I'm very distant
[70:22–70:25] I never thought it would send in as a dilemma. Well here we go
[70:25–70:27] I'm with my boyfriend a year and I'm so grateful
[70:27–70:30] He is everything I want in a person and I never thought I would meet him so young
[70:30–70:33] But at the beginning of our relationship he went out a lot with his friends
[70:33–70:38] Which didn't bother me until I found out he was a vital girls party in a like club and I went along to that
[70:39–70:41] and his friends
[70:41–70:44] Oh, sorry, and he went along to that with his friends now
[70:44–70:47] We'll say about this move because he lied about it to my face and tell me who went
[70:48–70:51] Forgot to mention the tiny details of the girls who went or the fact it was for girls birthday
[70:52–70:56] I found out when I saw pixels and I put insane thing because we were only together in wonder so
[70:56–70:58] And after time I wasn't sure what to do
[70:58–71:01] What I know even the most is I say me and him should go to nightclub together
[71:01–71:03] But he says that's where you go to find someone
[71:04–71:07] Since then he's been to night clubs and I'm like air you for real
[71:07–71:10] Why are you going if it's a place to find someone with his friends and in his DMs
[71:10–71:13] I saw a girl asking them whether he would be at par at your not
[71:14–71:16] I pulled him up on this and he reassured me not to worry
[71:16–71:21] She was an old girl friend and she texted other friends of his two and he also said I didn't even go
[71:21–71:25] I do trust some girls but my dilemmas because of these past actions and lies every time he goes out now
[71:26–71:29] I can't sleep. I hate it. I'm anxious and the lead up to him going out. I'm so angry
[71:30–71:35] So I worked my head up to all sorts of bad things because you blame me watch what I do or ask say to him. Thanks for us
[71:37–71:39] I don't know
[71:40–71:44] Like see the way she said we were only together in wonder two and I didn't know what to say when he went to that priority
[71:44–71:45] Yeah
[71:45–71:49] In your head that's what you think but I think in his head
[71:50–71:55] He's thinking him much can I get away with this soon like it's like the start is always kind of
[71:55–72:00] Testing the war testing the wars of what I could do yeah, I've seen
[72:00–72:01] I know what I can do.
[72:01–72:04] So he lied to her.
[72:04–72:05] She knows that it's a lot.
[72:05–72:07] So she's still not sad to tell my baby in there.
[72:07–72:08] No, she did, did she?
[72:08–72:09] My baby did he lie.
[72:09–72:13] Are you any of her as much?
[72:13–72:14] Right.
[72:14–72:17] So he forgot to mention that girl's with her and that was a girl.
[72:17–72:18] It was a girl's friend.
[72:18–72:19] Yeah, because I don't think the problem is going to it.
[72:19–72:20] It was worth it.
[72:20–72:21] I don't have a mind that.
[72:21–72:22] No.
[72:22–72:23] If it was a friend of someone.
[72:23–72:27] Yeah, it don't have a random fucking girl, but if it made sense, for her to be at
[72:27–72:31] a girl's friend, but it's the fact that you lied and didn't say it.
[72:31–72:35] How do you feel about the whole night club thing and then relationship?
[72:35–72:38] I don't love it.
[72:38–72:44] But I don't see it as like, you're all going to be with girls.
[72:44–72:45] You know what I mean?
[72:45–72:49] Like if everyone's gone, like if we had a girl's night, we're all of us now and we're
[72:49–72:50] all gone now.
[72:50–72:54] Do you feel like, oh no, I can't go because I have a fella?
[72:54–72:55] No, I wouldn't.
[72:55–72:56] No.
[72:56–72:59] I think I do think that boys gone on boys night out.
[72:59–73:00] Like it's different.
[73:00–73:01] It's so different.
[73:01–73:03] Girls go to have a good time.
[73:03–73:04] Boys go to pool.
[73:04–73:05] Yeah.
[73:05–73:08] You mean a boy, your boyfriend is, Dan, I just don't go out obviously to pool, but like
[73:08–73:09] boys who are single.
[73:09–73:10] Hmm.
[73:10–73:11] Go to pool.
[73:11–73:14] And get girls on the table and always if we got hurt somewhere, we get a fella's
[73:14–73:15] on it like.
[73:15–73:16] Like if?
[73:16–73:17] Yeah.
[73:17–73:18] I'm stealing my, yeah.
[73:18–73:19] It's something in it.
[73:19–73:20] Yeah.
[73:20–73:21] Um.
[73:21–73:22] Um.
[73:22–73:23] I know.
[73:23–73:25] I understand why you'd feel anxious to him going out.
[73:25–73:28] I think you need to say it to him because he can't be not sleeping over him going out
[73:28–73:31] and like, can't feel like that.
[73:31–73:33] Every time he's out in your own.
[73:33–73:36] And you'll actually say it to like, you'll feel like I can't say that now because it's
[73:36–73:37] gone too long.
[73:37–73:38] I haven't said anything.
[73:38–73:39] I've acted normal.
[73:39–73:42] I've acted like I'm not bothered whatever.
[73:42–73:42] Hmm.
[73:42–73:46] Like you need to say it because it's all going to build up in your head and keep going.
[73:46–73:47] Yeah.
[73:47–73:48] Yeah.
[73:48–73:51] To say it to him like it says him that it makes you feel anxious and nervous.
[73:51–73:54] Like, yeah, I'd be like, I know you like, I will mind bringing something for you.
[73:54–73:57] I'll be like, by the way, I didn't say it at the time, but I know you lied about that.
[73:57–73:58] Yeah.
[73:58–74:00] And see how you reacts there.
[74:00–74:04] Like try, like you think it's a case of trying to make him understand where you're coming
[74:04–74:05] from.
[74:05–74:06] Yeah.
[74:06–74:07] Yeah.
[74:07–74:09] So just explain to him, this is how I feel and this is why I feel like this.
[74:09–74:10] Yeah.
[74:10–74:11] Because of these reasons.
[74:11–74:14] And so, no matter what I'm not like, yeah, is there any way, is there any way you want
[74:14–74:15] to know?
[74:15–74:16] Yeah.
[74:16–74:18] That's how it's all to lift.
[74:18–74:19] No.
[74:19–74:20] Oh.
[74:20–74:21] Oh.
[74:21–74:23] I know, I swear my awes are on my fingers.
[74:23–74:24] I'll put down.
[74:24–74:25] Okay.
[74:25–74:30] And just explain into how this makes you feel.
[74:30–74:31] Yeah.
[74:31–74:33] And why is it can both do collectively to not feel like this?
[74:33–74:34] Yeah.
[74:34–74:35] It's not healthy.
[74:35–74:37] You're kind of absolutely killing each other.
[74:37–74:40] I think as well being like, how would you feel if you're seeing a girl, sorry, your boy
[74:40–74:41] texts me.
[74:41–74:45] If you're going to a party like that's not.
[74:45–74:46] Doesn't look good.
[74:47–74:52] But like also, it could be from an in some place because I'm sure boys like my friend
[74:52–74:54] boys text me, I don't have heart, it doesn't mean.
[74:54–74:57] Yeah, are you going to anything or like, you know, if everyone's looking for part, yeah,
[74:57–75:01] after something like, you do it like people at a party and like, it's just a list.
[75:01–75:02] She's a friend of yours.
[75:02–75:03] Yeah.
[75:03–75:04] Yeah.
[75:04–75:05] Yeah.
[75:05–75:06] Yeah.
[75:06–75:09] That's when you know it's been a world of light.
[75:09–75:14] But I think saying to him about the thing about the girls, what are they?
[75:14–75:17] I mean, like, look, that's why I feel re-angry.
[75:17–75:22] And he pointed out feels that off you anyway, just explained that that's why and that
[75:22–75:23] like that still bothers you.
[75:23–75:27] And but I didn't just say I didn't say it to him, but now that I've kind of thought
[75:27–75:29] about it, I'm pretty certain.
[75:29–75:32] Now that, yeah, you're together after a year.
[75:32–75:38] And just say it like, say to him that, because I feel like sometimes boys, I actually feel
[75:38–75:39] like they've done this sometimes as well.
[75:39–75:43] They're like, they're afraid to tell you to watch of like, what might be going on
[75:43–75:48] night out because if it's something bad, then you could be like, well, you're kind of
[75:48–75:53] with them again or like, say if like, or even if not something bad, like say to
[75:53–75:56] their friends or talking to her else and their friends are single, they're going to
[75:56–75:57] do it with the one thing.
[75:57–75:58] Yeah.
[75:58–76:00] Down over something will be afraid of like maybe like, well, we're not going to.
[76:00–76:02] Yeah, but like, I wouldn't, but I'd rather just know everything.
[76:02–76:03] Yeah.
[76:03–76:04] Tell me everything.
[76:04–76:05] And then that's fun.
[76:05–76:06] And then there's not hidden yet.
[76:06–76:07] Yeah.
[76:07–76:11] Because then if you ended up finding out, but like, yeah, yeah, I want to know like everything.
[76:11–76:12] Yeah.
[76:12–76:15] I'm sure this girl that like, when he tells me whether he's girls at the table or
[76:15–76:21] her first friends, but like, tell me that you're rather not that then be like, no, no,
[76:21–76:22] no, no, no, no, no, no, no, no, no, no, no, no, no, no, no.
[76:22–76:23] I know it.
[76:23–76:24] Yeah.
[76:24–76:26] So there you go.
[76:26–76:29] But yeah, I think just saying that to your boyfriend as well, it's been like, look, I
[76:29–76:33] don't care if he's around girls just telling me, like just that's all I hate the line of
[76:33–76:34] them.
[76:34–76:35] Yeah.
[76:35–76:38] So I don't think, I don't think you can expect to be like, I don't think you should
[76:38–76:42] be allowed to turn around to, well, this is just me personally, to your partner or whatever
[76:42–76:45] and be like, you're never allowed to be around the other sex.
[76:45–76:46] No, it's not realistic.
[76:46–76:47] It's not realistic.
[76:47–76:48] It's not realistic.
[76:48–76:51] And like, even if that was me on table with the girls, I want them to act in their boy,
[76:51–76:52] I wouldn't be like, get away.
[76:52–76:53] Yeah.
[76:53–76:55] That's not, you just don't do that.
[76:55–76:56] No.
[76:56–77:00] So I think just saying some, it's made into my feel.
[77:00–77:01] Yeah.
[77:01–77:06] And just say that you want to start just being really honest and that's very enough.
[77:06–77:10] Last one we have then is, I'm not really, lovey and the part.
[77:10–77:12] I've been listening for a while now and I've never thought of writing in until now.
[77:12–77:15] So this boy, I basically like my whole life.
[77:15–77:16] He's a family friend.
[77:16–77:17] What's all the family friends?
[77:17–77:18] No, no.
[77:18–77:20] There's so many of them lately.
[77:20–77:22] He's a family friend, a son of my parents friends.
[77:22–77:26] And ever since we were very little, his brothers would take the piss out of us saying that
[77:26–77:28] we would get married and silly stuff like that.
[77:28–77:29] And we would always laugh off.
[77:29–77:32] We were the best of friends when we were younger, but we were all a couple of characters
[77:32–77:34] we got older as we got awkward and moody.
[77:35–77:39] We still see each other the other time, but only when we visit with the family and stuff
[77:39–77:40] like that.
[77:40–77:44] He's had a girlfriend since 2019, but he followed me on visco.
[77:44–77:45] Was that what that's called?
[77:45–77:46] Yes, yeah.
[77:46–77:47] Yeah.
[77:47–77:52] And maybe in my delulu self, I looked into it to see if he has finally seen that I've
[77:52–77:53] been here all along.
[77:53–77:56] Q, you belong with me by Taylor Swift.
[77:56–78:03] She hasn't, she hasn't posted since summer and he does have that reposted, but he posted
[78:03–78:06] recently and she hasn't that reposted what?
[78:06–78:07] But here's every other pick reposted.
[78:07–78:08] Explain what visco is.
[78:08–78:09] Oh, yeah.
[78:09–78:12] This guy is like, I'm actually, I used to have it to keep a film, people are pictures of
[78:12–78:13] something like Instagram.
[78:13–78:14] I think what you're reposted.
[78:14–78:17] So she hasn't posted.
[78:17–78:20] She hasn't posted since summer and he does have that reposted.
[78:20–78:23] He does a recent and.
[78:23–78:25] So someone tagged you in a picture and reposted.
[78:25–78:29] Yeah, you can reshare like Instagram and he hasn't reshared.
[78:29–78:30] Yeah.
[78:30–78:33] Recently, I started to get really upset and in my own head about it because I just
[78:33–78:36] know that I'm being completely delulu and he will just never like me like that.
[78:36–78:39] But I can't help but think about him and us.
[78:39–78:43] As far as what I'm asking you is, should I just give up or do you have any advice for
[78:43–78:44] me in this situation?
[78:44–78:46] I've never been in a relationship before.
[78:46–78:49] I'm on in 19 and I've only ever gotten with four people and nothing else.
[78:49–78:54] I'm a hopeless romantic and I don't know if a day, I don't know if a day has gone by
[78:54–78:56] in the past that I have not taught them.
[78:56–78:57] Please help me.
[78:57–79:00] Oh, you're only a wee baby.
[79:00–79:01] Yeah.
[79:02–79:03] Oh.
[79:05–79:07] Do you want the honest big sister truth here?
[79:07–79:08] You are.
[79:08–79:12] I think don't, you don't romanticize him too much.
[79:12–79:13] Really?
[79:13–79:17] Yeah, I think you're hanging on to something that sounds like a beautiful romantic,
[79:17–79:19] yeah, amazing story to have.
[79:19–79:20] Mm-hmm.
[79:20–79:22] Like they could serve you in a relationship, don't I mean?
[79:22–79:23] True.
[79:23–79:27] I think find your own man that you can sing the You Belong with me Taylor Swift song with.
[79:27–79:28] Yeah.
[79:28–79:29] To know.
[79:29–79:32] I think until you know, they're actually not together.
[79:32–79:33] Yeah.
[79:33–79:36] But there's nothing you can fully focus on.
[79:36–79:40] Like when we definitely all done it, you're wrapping your head around this warm person
[79:40–79:41] and you've never even been in your life like that.
[79:41–79:44] No, I think like, oh no, this is it.
[79:44–79:46] I always, yeah, and to think it helps us raise this, to get me out of the way you're
[79:46–79:48] so I was like,
[79:48–79:52] go be shit like, yeah, you think this and it's nearly more dangerous when you're on
[79:52–79:54] size because you have this perfect image in your head.
[79:54–79:55] Yeah.
[79:55–79:58] And then you're like, it not nizzle up to any shows up and you're like,
[79:58–79:59] two inches.
[79:59–80:00] Yeah, like it's not mean.
[80:00–80:01] It's nearly better.
[80:01–80:06] That's why I think it's better to meet someone you're not expecting because you don't
[80:06–80:08] find to make it.
[80:08–80:12] And I'd say she's unintentionally caught herself off from older fellas.
[80:12–80:13] Yeah, yeah.
[80:13–80:14] I like her.
[80:14–80:16] Because she's so honed in on him.
[80:16–80:17] Yeah.
[80:17–80:18] Yeah.
[80:18–80:19] Yeah.
[80:19–80:26] I think try your best to let it fizzle kind of thing.
[80:26–80:27] Let your mind fizzle away from it.
[80:27–80:28] Yeah.
[80:28–80:29] I think when you start just being open though they feel it off.
[80:29–80:30] Yeah, they can't.
[80:30–80:31] It's natural.
[80:31–80:32] Yeah.
[80:32–80:51] Well, like she's steep and that herself, I know like I'm being delirious and you'll never
[80:51–80:53] like me and I can't help thinking about him.
[80:53–80:56] I think it will be something that you always just think in your heads.
[80:56–81:00] Put like if it happens.
[81:00–81:01] Yeah.
[81:00–81:04] Happens. Yeah, I always say that's my favorite thing ever. Yeah, like
[81:04–81:08] Leave it off to God. Yeah, that's not in your control. That's great. Yeah, yeah, yeah
[81:08–81:08] In his
[81:08–81:13] Yeah, yeah, it was one of happen that will happen kind of thing. Mm-hmm. I mean, yeah, I agree
[81:13–81:19] But like you can't force something that isn't there. Yeah, I have my first move and all if if that is to be
[81:19–81:24] Yeah, like he could he could to be with your one. Yeah, first is says in 19. Yeah, it's long time
[81:24–81:29] Yeah, yeah, so he could still be with your one and like him just thinking that they're family friends
[81:29–81:32] He might not even think you have an interest in him. Yeah
[81:32–81:38] Bring your dilulu self back down. Yeah, yeah, see her on the coach with girl. Yeah, I think to save yourself
[81:38–81:42] Yeah, you need to focus on yourself and the people who are
[81:43–81:47] Letting you know that they're interested in the people might be right right before yeah
[81:47–81:52] So we could be on your house. You don't even know exactly. They might be the best one here being blind. Mm-hmm
[81:52–81:53] Yeah, I love you
[81:53–81:57] You can send your Zamas into home and drink a go-to now com
[81:57–82:00] We've answered even more of your dilemmas in our bones episode home a drink
[82:00–82:05] Extrude so listen back to those after this episode and listen out for a new one coming to you this Monday and every Monday
[82:05–82:08] You can listen on the go to the app or wherever you get your podcasts
[82:09–82:14] So for Sibra skip we take one topic based on this episode if we sip it means you agree
[82:14–82:17] We skip it means you disagree and today's topic is
[82:17–82:22] pub sessions as opposed to night clubs select try to try to sessions
[82:22–82:26] Yeah, yeah, yeah, yeah, yeah, yeah, I'll sip too
[82:26–82:31] I do love a night club. Yeah, yeah, yeah, same get away here. You know for them, but like
[82:32–82:37] Tuble and night clubs aren't necessarily night clubs. I don't know. They're not they're not crazy
[82:38–82:44] Yeah, that'd be our that's a club club club like yeah club kind of like I love the other places we go
[82:44–82:49] I love fire and draper. I love 37 like yeah, yeah, but I wouldn't call them
[82:49–82:54] No, I feel like they're like they're like late bars. Yeah, that's right into the dance floor like
[82:54–83:02] This just something about a pub session is a pub session in real Irish thing. Yeah, is it? Oh, yeah, yeah, yeah, yeah, I just love it
[83:02–83:07] I think it's really whole and you can chat people it's not too loud. Yeah, especially around this time of the year people are in good spirit
[83:07–83:12] Yeah, it's just lovely. Yeah, I'm gonna sip sip like that tip. Yep
[83:13–83:16] Thank you so much for listening you can go back and listen to our bonus episode from Monday
[83:16–83:21] I'm wondering extra juice so make sure to listen back to that now before a new bonus episode next Monday
[83:21–83:27] Don't forget to like rate and subscribe to the podcast and we'll see you on Monday. Oh, yeah, yeah, yeah, okay
[83:28–83:30] See you
[83:30–83:33] Subscribe to this podcast for free on the go light up